Zhao’s filmography initially showcased a documentary realism that elevated narratives through the lens of nonprofessional actors and lyrical landscapes. This approach took a sharp turn with her fourth project, the grandiose Marvel film “Eternals” (2021), which sought to blend the philosophical stylings of Terrence Malick with comic book conventions, ultimately yielding mixed results. However, her latest work, “Hamnet,” pivots towards a different style, incorporating a blend of pastoral realism and emotionally powerful storytelling that is both compelling and chaotic.
In “Hamnet,” viewers follow the tumultuous relationship between Agnes and William Shakespeare as they navigate personal and professional challenges. The film reveals Agnes’s deep understanding of William’s struggles, leading her to push him towards his ambitions in London, which inadvertently fuels their shared despair as parents. Jessica Buckley portrays Agnes with intensity, capturing her emotional rollercoaster as she endures both the joys of motherhood and the profound sorrows of loss.
Adapted from Maggie O’Farrell’s novel, “Hamnet” draws attention to the domestic confines that suffocate its characters, including William, who is frequently absent from home. The movie captures the essence of familial affection and isolation, featuring strong performances from Buckley and Paul Mescal. The cinematography by Łukasz Żal creates a sense of intimacy, often framing the Shakespeare family through disconcerting angles that evoke the feeling of scrutiny.
Unlike O’Farrell’s novel, which plays with time and structure, Zhao’s film opts for a linear narrative, presenting a straightforward but poignant exploration of grief and resilience. Moments of lightness, illustrated through the children’s playful antics, contrast sharply with the darker themes of the story, reflecting the duality of life and art.
As the plot unfolds, Agnes grapples with her husband’s genius and its toll on their family life. The film attempts, albeit intermittently, to offer a critical take on the traditional narrative of male brilliance, though it often falls back into celebrating that genius. This dynamic culminates in poignant scenes surrounding Shakespeare’s works, particularly the performance of “Hamlet,” which serves as a symbol of both artistic achievement and parental closure.
Zhao’s direction melds heartache with beauty, employing the familiar strains of Max Richter’s music as an emotional backdrop. While the film walks a fine line between artifice and authenticity, it ultimately provides catharsis, allowing audiences to witness both the triumphs and tragedies that intertwine in the life of one of history’s greatest playwrights. Thus, “Hamnet” emerges not only as a narrative about loss but also as a tribute to the unyielding power of love and memory in the face of tragedy.