The upcoming adaptation of Emily Brontë’s classic novel “Wuthering Heights,” directed by Emerald Fennell, has already sparked a mix of intrigue and skepticism, particularly given Fennell’s previous works, “Promising Young Woman” and “Saltburn,” which pushed boundaries in provocative storytelling.
Following a recent test screening in Dallas, audience reactions were described as “mixed.” One viewer characterized the film as “aggressively provocative and tonally abrasive,” drawing comparisons to “Saltburn” for its stylized and sometimes shocking elements. Reportedly, the film opens with a public execution scene that features an unsettling turn of events, while the film includes unconventional romantic encounters that may stray from the emotional depth anticipated by fans of the original novel.
Emerging details also highlight Fennell’s signature visual style, with lingering shots of “suggestive textures” such as culinary items and even peculiar elements like slug trails, promising a striking aesthetic experience.
The casting choices have also prompted discussion, with some critics questioning Margot Robbie’s suitability for the character of Catherine Earnshaw, particularly regarding her age. The portrayal of Heathcliff, traditionally viewed as having Romany or Gypsy heritage, has also raised eyebrows, although the casting of diverse actors in this role has been more common in recent adaptations, including Andrea Arnold’s 2011 version which featured mixed-race actor James Howson.
Casting director Kharmel Cochrane defended the choices, stating that strict adherence to the source material is less critical, emphasizing the artistic freedoms that adaptors often take. She has hinted that the set design is likely to surprise audiences even further, adding layers to the film’s interpretative approach.
Scheduled for a Valentine’s Day release in 2026, the film marks Robbie’s first significant role since “Barbie” and Fennell’s next project after the mixed reception of “Saltburn.” One attendee pointed out that despite strong performances from the leads, the characters may be portrayed in such a manner that builds a barrier to audience engagement with their journeys.
As anticipation builds, it remains to be seen how Fennell’s creative vision will resonate with both literature fans and general audiences alike. There’s hope that this adaptation could bring a fresh yet divisive take on a literary classic, potentially re-engaging a modern audience with Brontë’s timeless themes of love, obsession, and the complexities of human relationships.