The third season of “Very Important People” has premiered on Dropout, bringing back the quirky and unpredictable host Vic Michaelis. Known for navigating chaotic interviews, Vic faces a particularly confounding situation in the latest episode, titled “Fanoli.” In this episode, comedian Angela Giarratana takes on the role of Fanoli, a fictional yet iconic singer whose tumultuous relationship with the legendary Cher becomes the focal point of the dialogue.
During the episode, Vic’s enthusiasm to discuss Fanoli’s music and Cher’s influence is thwarted by an unexpected feud between the two icons. Michaelis noted the fortunate timing of this episode, which was filmed months earlier, as it coincides with Cher’s resurgence in popular culture, particularly following her recent appearances on platforms like “SNL” and in interviews that have caught widespread attention.
In discussing the show, Michaelis shared insights on his role as the honorary president of Dropout, revealing ongoing structural changes and bold initiatives like installing TVs in bathrooms to promote viewership of “Avengers: Endgame.” He humorously commented on the prospect of integrating new titles such as “Avengers: Doomsday” into their programming lineup.
The conversation took an interesting turn when Michaelis was asked whether Fanoli’s song, “I Don’t Want Money, I Don’t Even Like It, I Just Want to Throw It Away,” could become the official theme for “VIP.” While he was initially resistant, he mentioned that he might reconsider if the audience showed a genuine affection for the tune.
The dynamic between Vic and Angela Giarratana was particularly highlighted, with Michaelis reflecting on the improvisational roleplay. His enthusiasm for Cher was palpable, leading to a poignant moment when Giarratana’s lack of knowledge on the subject left Vic momentarily reeling.
Additionally, Michaelis also touched on his character Cheryl from the upcoming series “Ponies,” which stars Emilia Clarke and Haley Lu Richardson. He noted that while both characters share a reliance on others, Cheryl embodies a more assertive and ambitious nature, offering an interesting contrast to Vic’s persona.
As viewers eagerly await the continuation of “Very Important People,” the interplay of celebrity culture and improvisational comedy remains at the forefront, promising engaging entertainment that resonates with current events. Michaelis’s reflections suggest that while the challenges of the show continue to evolve, there is potential for growth and transformation both for the characters and the series itself.