Jennifer Farber Dulos was a multifaceted individual—an actress, a mother of five, and a writer—who dreamed of a perfect life. Tragically, her aspirations turned into a nightmare when she went missing on May 24, 2019, after dropping her children off at school, and is now presumed dead. Her estranged husband, Fotis Dulos, was suspected of her murder but died by suicide before facing trial, while his partner, Michelle Troconis, has since been convicted for her involvement.
In his new book, “Murder in the Dollhouse: The Jennifer Dulos Story,” journalist Rich Cohen shifts the narrative from the sensational crime to the complexities of Jennifer’s life prior to her disappearance. Cohen, who has covered the case thoroughly, aimed to restore Jennifer’s memory by portraying her not just as a victim but as a vibrant individual who longed for love and stability—a significant departure from the media’s fixation on the gory details surrounding her death.
Cohen paints a picture of Jennifer as a child fascinated by a dollhouse, which represented her desires for a family and a fulfilling home life. He delves into her life, chronicling her journey from the artistic aspirations of 1990s Manhattan to the idyllic yet tumultuous suburban life she sought in New Canaan, Connecticut. Despite public perceptions of a picture-perfect existence—complete with wealth and luxury—Cohen’s research reveals a much darker reality marked by complications in her marriage and a longing for connection.
Drawing from interviews with friends, family, and Jennifer’s own writings, Cohen’s portrayal lifts the veil on her complexities, celebrating her intelligence, humor, and sensitivity. He emphasizes the cautionary aspects of privilege and trust, suggesting that outward appearances can be deceiving.
As the sixth anniversary of Jennifer’s disappearance approaches, her family released a statement expressing their ongoing grief and urging support for organizations aiding survivors of family violence and missing persons. It serves as a reminder of the importance of community and the need to advocate for those who have suffered similar tragedies.
Cohen’s effort to highlight Jennifer’s story echoes a broader movement within true crime literature, prioritizing the voice and humanity of victims rather than sensationalizing their tragic ends. In times of sorrow and loss, there remains hope in the communities coming together to support those affected by violence and in the pursuit of justice and awareness.