Maria Callas, the renowned soprano whose remarkable talent defined a generation of opera, captivated audiences with unforgettable performances in iconic operas such as Medea, Tosca, and La Traviata. Often celebrated as one of the greatest sopranos of the 20th century, Callas’s journey was illuminated when she graced the cover of TIME magazine on October 29, 1956, as the “undisputed queen of the world’s opera.”
However, the new biopic titled “Maria,” featuring Angelina Jolie in the titular role, delves into a much darker chapter of Callas’s life. Instead of highlighting her illustrious career, the film is set during the final week of her life in Paris, where she reflects on her past in an atmosphere of despair and isolation.
While a film about her life might have seemed like a dream for the spotlight-loving diva, it does not sugarcoat her reality. The movie presents Callas as a figure grappling with her mental health—often displaying a tempestuous personality that defined her public appearances. Acknowledging her struggles, the film portrays her as battling with hallucinations and an addiction to Mandrax, a potent sedative, mirrored by her deteriorating ability to command her voice due to an undiagnosed neurological condition. Experts suggest that were she alive today, she would likely be diagnosed with depression alongside her substance dependence.
Callas’s tumultuous love life, particularly her relationship with Greek shipping magnate Aristotle Onassis, adds another layer to her complex narrative. Onassis, known for his affinity for glamorous women, left Callas for Jacqueline Kennedy, a moment that irrevocably affected her emotional state. The film hints at the deep-rooted pain of unrequited love and missed opportunities, echoing the idea that sometimes, the price of passion can lead to profound loneliness.
In her final years, Callas struggled with estrangement from her family—a consequence of a demanding upbringing where her talent was exploited—and an overwhelming sense of aimlessness without the opera that once defined her existence. Ultimately, she died alone at the age of 53 from a heart attack, a tragic end to a life that had been so full of brilliance.
“Maria” not only explores Callas’s artistry but presents an unvarnished view of her struggles, promising to resonate with those who have faced their own demons. It serves as a poignant reminder of the complexities behind public personas and the often-untold stories of those who shine brightly on stage.
For audiences, this biopic offers a chance to reflect on the balance between fame and personal turmoil, encouraging empathy for those whose lives are lived in the spotlight. In witnessing Callas’s painful journey, we are reminded of the resilience of the human spirit and the hope that even amidst despair, one can find moments of beauty and love, echoing the lyrical power that defined Callas’s legacy.