Netflix’s “Fear Street” trilogy, released in 2021, was a compelling venture into the horror genre, delivering three interconnected films that played out like a serialized TV show. While not groundbreaking, it achieved notable success thanks to a talented cast, creative storytelling spanning several decades, and the adept direction of Leigh Janiak. Building on this momentum, Netflix is now introducing “Prom Queen,” an ’80s-inspired slasher film that aims to leverage the popularity of R.L. Stine’s iconic YA horror universe.
Set in 1988, “Prom Queen” unfolds in a high school in Shadyside, a town that often finds itself overshadowed by its more affluent neighbor, Sunnyvale. The excitement surrounding the prom leads to fierce competition among students, especially over who will be crowned prom queen. The frontline contenders include Tiffany Falconer, a popular girl, and underdog Lori Granger, who faces relentless bullying due to her family’s troubled past. Accompanied by her loyal friend Megan, Lori navigates the treacherous waters of high school social dynamics while a masked killer targets the prom queen candidates.
In this installment, the film transitions from the creative oversight of Janiak to director Matt Palmer, whose ability to craft suspense appears lacking by comparison. The film leans heavily into ’80s nostalgia, often prioritizing visual aspects over character development. Despite a few moments of inventive thrills—such as gory death scenes that follow suit with classic slasher tropes—the film struggles to maintain a balance between humor, horror, and earnest storytelling.
The supporting cast, though featuring notable actors, fails to leave a strong impression, with much of the narrative feeling drawn out at moments. However, the character of Megan, portrayed by Suzanna Son, provides a glimmer of depth with her fiercely loyal and slightly eccentric personality.
While “Prom Queen” may not innovate within the genre as its predecessors did, it does have elements that resonate with fans of slasher flicks, offering a blend of vintage horror clichés and a contemporary spin. Despite the shortcomings in plot and character development, the film embraces its role as a straightforward slasher film, appealing to those looking for a blend of nostalgia and scares.
Overall, while the film presents various issues, it remains a testament to the ongoing appeal of the slasher genre. There are moments to enjoy, and for fans of “Fear Street,” “Prom Queen” serves as a reminder of the franchise’s roots. With hope for future installments that could perhaps recapture the inventiveness of the original trilogy, audiences may find reason to tune in.