The recent hit musical “The Queen of Versailles” has emerged at a time when discussions around wealth and privilege are at the forefront of public discourse, particularly after controversial statements from political leaders. This captivating production serves as a dual narrative, blending pointed satire with a sympathetic lens on ambition and loss, showcasing the phenomenal talent of Kristin Chenoweth. Reuniting with “Wicked” composer Stephen Schwartz, Chenoweth leads a show that is both an exploration of excess and a portrait of the American dream.
In her role as Jackie Mallory, a middle-class mother who ascended to riches by winning a beauty pageant and marrying billionaire David Siegel, Chenoweth gives a performance that is nothing short of transformational. Siegel, who owns lavish timeshare resorts, indulges every desire of his wife, resulting in a life filled with opulence—complete with numerous children, pets, and numerous servants. Their ambitious endeavor to build America’s largest home—a modern-day Versailles—serves as a central motif in the production.
Act one draws inspiration from Lauren Greenfield’s 2012 documentary, capturing the family’s descent into struggle following the 2008 financial crisis. The narrative is driven by the humor and biting critique of capitalism reminiscent of Bertolt Brecht, with Jackie frequently breaking the fourth wall to reflect on her misfortunes, while cleverly engaging the audience. The show’s design elements, including witty video segments and flamboyant costumes, further enhance its commentary on wealth and entitlement.
However, the musical doesn’t merely mock the excesses of the Siegels; it also reveals Jackie as a relatable character—a woman who worked tirelessly, balancing multiple jobs and responsibilities to support her family during dire times. This duality adds depth to her character as she navigates her ambitions and the challenges presented by life. Her mantra, “Keep on thrustin’,” speaks not only to her resilience but also evokes the essence of the American Dream—overcoming hardships through sheer determination.
The second act touches on a profound tragedy—based on real events—which complicates the portrayal of Jackie and creates tension within the audience’s perception of her character. The musical blends themes of regret and aspiration, as the narrative pushes the boundaries of sympathy and critique. As the story progresses towards a fairytale ending through the completion of the extravagant mansion, the show prompts reflection on whether Jackie is to be seen as triumphant or tragic.
Despite the complexity of its themes, “The Queen of Versailles” manages to captivate its audience with Schwartz’s heartfelt score, inventive staging, and Chenoweth’s powerful performance. The production has tightened its pacing since its Boston tryout, demonstrating director Michael Arden’s skilled hand. Ultimately, this show celebrates the multifaceted nature of its protagonist, leaving audiences entertained and thoughtful about the nuances of ambition and excess in contemporary society.