Peacock’s “The Copenhagen Test” continues to unfold its intricate narrative in the fifth episode, which is marked by an extended recap of previous events, hinting at the show’s complex storytelling. The main character, Alexander Hale, played by Simu Liu, embarks on a journey of self-discovery and danger as he grapples with a hacking that compromises his very senses and memories.
Created by Thomas Brandon and executive produced by James Wan, the series has often faced criticism for its heavy exposition and convoluted plotting, particularly in the first half. As characters relentlessly repeat the premise and provide background information, the show sometimes feels more tedious than thrilling. However, the narrative begins to pick up pace in the fifth episode, directed by Vincenzo Natali. This episode introduces two significant set pieces that stand out in the series so far, while the seventh episode brings more engaging fight sequences directed by Nima Nourizadeh.
Despite a rocky start, the tailored tension and inventive structure gradually emerge, demonstrating that the series can indeed deliver a clever narrative. The ensemble cast enhances the viewing experience, with character actors hinting at deeper motivations and emotions that some of the leads struggle to convey. Liu’s character, an intelligence analyst dreaming of a promotion, finds himself embroiled in a mystery where an unknown entity hacks into his mind and perceptions. This turn of events raises questions about trust and betrayal, complicating his relationships with other characters, including his colleague Cobb, portrayed by Mark O’Brien, and bartender Michelle, played by Melissa Barrera.
As the story progresses, it subtly addresses themes of choice and conscience, albeit in a somewhat heavy-handed manner, with multiple scenes reiterating the same points. The creative team seems to underestimate the audience’s capacity to interpret these themes, which occasionally detracts from the viewing experience. Nevertheless, intriguing character arcs, particularly that of Parker, provide glimpses of potential within the series.
The visual aesthetic, especially in the early episodes—often characterized by generic settings and dark environments—lacks excitement and originality. However, as the plot deepens, the potential for engaging storytelling becomes apparent. By the end of the eight-episode season, “The Copenhagen Test” establishes a solid framework for future narratives, setting itself up as a resilient series that can explore various angles to Alexander’s predicament.
In conclusion, while “The Copenhagen Test” faces challenges with pacing and engagement in its initial episodes, it gradually reveals its strengths towards the latter half. With a solid cast and hints of complexity, it offers viewers an opportunity to invest in a narrative that promises potential growth and intrigue in the episodes to come.