Taylor Sheridan, the acclaimed writer and creator known for “Yellowstone” and its prequel “1923,” is facing a pivotal moment in his career following the conclusion of these hit series. With “1923” wrapping up a few months after “Yellowstone” officially ended in late 2024, it raises the question of whether Sheridan should focus his energy on fewer projects to maintain the quality of his storytelling.
Critics have pointed out that juggling multiple series has adversely affected Sheridan’s writing. The final episodes of “1923,” in particular, were criticized for feeling rushed and forced, as the plot saw a swift series of character deaths that lacked depth and seemed merely a means to tie up loose ends. This trend has led to concerns about the overall coherence and thoughtful execution of his narratives.
On a more positive note, his most recent drama “Landman” has been viewed as a return to form, showcasing some of the best writing we’ve seen from him in recent years, though it too had moments that felt thin on plot. Despite the challenges he faces with a packed schedule, including seven upcoming projects alongside ongoing series like “Lioness” and “Mayor of Kingstown,” Sheridan appears determined to push forward.
Moreover, Billy Bob Thornton’s involvement as the tough protagonist, Tommy Norris, in “Landman” suggests that there could be strong momentum for the series moving ahead. It will be interesting to see if Sheridan can balance his ambitious slate of projects while regaining the narrative depth that fans and critics alike have come to expect from his work. The future of his creative output might depend on striking this balance, allowing for both quantity and quality in his storytelling endeavors.