Susie Elliot’s artistic journey began far from her native Fiji, initially taking root in the Philippines where she embraced formal training in Chinese brushwork. This early exposure ignited her passion for art and laid the groundwork for her future endeavors. Following a period of raising her family in New Zealand, Elliot returned to her creative pursuits and enrolled in art school when her children reached high school age. This decision marked a pivotal moment, allowing her to refocus on her artistic aspirations.
Recently, Elliot showcased her work at the KUDRU exhibition in Suva, unveiling two diptych oil paintings that captivated audiences with their bold political themes. These pieces are a reflection on Fiji’s historical turmoil, particularly the traumatic events surrounding the 1987 coup led by Prime Minister Sitiveni Rabuka. Even as the paintings exhibit similar visual elements, they reveal intricate layers of meaning related to Fiji’s coup culture and the militarization that followed.
In discussing her artistic process, Elliot highlighted the extensive preparation required before applying paint to canvas. She explained the differences between oil and acrylic mediums, noting how her artwork captures the deep connection to Fiji’s past and the significant changes since those tumultuous years. “Everything stopped almost literally in 1987,” Elliot recalled, emphasizing that those born after this pivotal moment can only imagine the Fiji of earlier times.
Her diptychs incorporate figures and animals laden with coded messages, a strategy designed to provoke reflection and dialogue about Fiji’s future. A notable symbol within her work is the depiction of dogs rendered in military colors, inspired by Rabuka’s comments on drug-related issues. “I took that and ran with it,” she remarked, illustrating how the dogs symbolize not just military dominance but also a playful yet critical commentary on the impacts of war.
Elliot’s artwork serves as more than mere aesthetic expression; it’s a potent call for acknowledgment and contemplation regarding the legacy that future generations will inherit. She encourages the youth of Fiji to take an active role in shaping their national identity, underscoring the courage required to articulate one’s views through art.
“Art is about courage and the willingness to express what lies inside,” she stated, urging emerging artists to embrace their voices. The vibrant art scene in Fiji, illuminated by creators like Elliot, represents a rich tapestry of narratives woven from personal experiences and cultural heritage. This collective journey reflects a pursuit of healing and awareness.
As the art community in Fiji continues to thrive, artists like Susie Elliot inspire optimism for a promising future—one where creativity flourishes, and crucial conversations about the nation’s identity and history are catalyzed by the transformative power of art.