“Suits LA,” created by Aaron Korsh, the mastermind behind the original “Suits,” struggles to carve out a clear identity as it attempts to bridge the worlds of talent representation and entertainment law. Initially intended to spotlight a talent agent, the series transitioned into a spinoff following the unexpected success of “Suits” on Netflix. However, it seems to lack a distinct understanding of the differences between entertainment lawyers, agents, and managers, which detracts from its potential depth and narrative complexity.
The character Ted expresses a confusing disdain for the foundation of criminal defense law, while his counterpart Erica exhibits an alarming indifference towards the film and television industry. Her view—”The writer is never the one calling the shots”—highlights a cynical outlook that may reflect broader industry frustrations, though it ironically contributes to a show that lacks genuine substance or excitement.
The dynamic between Ted and Stuart hints at a past brotherly bond, yet this relationship fails to evolve compellingly. The dialogue could have offered insights into their characters, but instead, it falls flat. While many successful series explore the lives of unsavory characters with a clever critique or humor, “Suits LA” seems to miss the mark, offering little more than surface-level drama.
As “Suits LA” begins its narrative, it risks feeling more like a casual gathering than a riveting production, leaving the audience yearning for a narrative spark that could elevate it beyond its current mediocrity. With guidance and a stronger focus on the intricacies of the entertainment industry, “Suits LA” could hopefully find its footing and deliver more engaging content in future episodes.