Azazel Jacobs’s latest film, His Three Daughters, now streaming on Netflix, initially raises concerns with its stilted dialogue and static camera work, reminiscent of a questionable stage play adaptation. Despite the strong presence of stars Carrie Coon, Natasha Lyonne, and Elizabeth Olsen, viewers might feel their talent would be better showcased in a live theater setting. However, the film soon finds its rhythm and begins to unfold in a more engaging manner. Though the dialogue retains an elevated quality, it invites viewers into a touching family drama that echoes universal human experiences.
The story centers on the three daughters of a terminally ill man who waits in their father’s cozy Manhattan apartment for his final moments. Coon portrays Katie, a career-focused sister who has struggled to be present during their father’s illness, causing friction with her stepsister Rachel (played by Lyonne), who has been his primary caregiver. Tensions rise as Katie criticizes Rachel’s choices, setting the stage for conflict.
In contrast, Christina (Olsen), the youngest sister, tries to bring calm to the situation from her home on the West Coast, where she has embraced a more traditional life, balancing her spontaneous spirit with practicality. As the sisters navigate their relationships and the impending grief, the film captures their complex family dynamics, revealing deep-seated histories through their negotiations and arguments.
Occasional interruptions come from a palliative care nurse and Rachel’s boyfriend Benjy, but the focus remains on the sisters as they confront the challenge of closing an important chapter in their lives. Rachel feels like an outsider, given her stepfather’s status, yet their bond runs deep, revealing layers of connection and unspoken feelings that intensify the emotional stakes.
Jacobs’s nuanced direction allows the actors to deliver powerful performances, especially Lyonne, who brings a blend of vulnerability and strength. Coon effectively portrays a woman striving to maintain control while grappling with insecurities, while Olsen’s performance shines as she navigates the delicate balance of optimism tinged with sadness. A poignant moment arises when Christina explains her past as a Deadhead, adding depth to her character and a broader cultural perspective.
The film is marked by its emotional specificity, drawing viewers into the intimate world of these sisters. As they confront their grief, the audience is reminded of their own fears and losses. While His Three Daughters remains largely understated, it culminates in a dreamlike sequence that underscores the fleeting nature of life and connection, ultimately asserting that the knowledge and memories shared with loved ones must suffice amid life’s uncertainties.