Shelby Lynne parted ways with Nashville both physically and metaphorically more than 25 years ago. In 2000, she released her album “I Am Shelby Lynne,” a bold testament to her artistic identity that earned her a Grammy Award for Best New Artist. After spending a decade in Nashville and releasing five albums that failed to capture her deep Southern soul, Lynne relocated to Palm Springs, California, leaving behind the country music scene. It was with “I Am,” which blended bluesy rock and retro pop and was produced by Bill Bottrell (known for Sheryl Crow’s “Tuesday Night Music Club”), that she found her footing, even as she struggled with personal challenges, including high artistic expectations, poor choices, and alcohol.
Now back in Tennessee, enjoying time on the patio of Soho House, Nashville’s version of the British social club, Lynne, 55, reflected on her journey, dressed in rust-colored Dickies overalls layered over a crisp white dress shirt and tailored black jacket. “I came back here to be near Sissy,” she said with a slow drawl, referring to her sister, singer-songwriter Allison Moorer. “I had always been making records in California, but I thought that chapter of my life had closed. I just wanted to write some songs and perhaps secure a publishing deal, something I had never had.”
In Nashville, creativity often flourishes alongside established talent. As the 25th anniversary of “I Am” approached, Katie McCartney from Monument Records suggested reissuing the album. However, Lynne was also eager to explore new music. With support from country artist Ashley Monroe, she ventured into collaborations with other female musicians, leading to an exciting new direction. The outcome of this creative burst is her 17th studio album, “Consequences of the Crown,” which is set to release this Friday.