Welcome to The Atlantic Daily, your go-to source for the day’s most significant stories and cultural reflections. Today, staff writer Sally Jenkins shares what captivates her in the world of entertainment.
Jenkins praises the lighthearted approach of “A Knight of the Seven Kingdoms,” the prequel series that serves as a refreshing departure from the often grim tone of “Game of Thrones.” She reflects on its ability to renew viewers’ expectations, highlighting the importance of surprise in storytelling.
Looking ahead, Jenkins expresses anticipation for the next season of “The Diplomat,” which she considers one of the smartest shows in recent memory. She also expresses excitement for “Project Hail Mary,” pointing out that there are no bad space movies, just as there are no bad heist films.
When it comes to actors, Meryl Streep stands out to Jenkins, who admires her unwavering commitment to her craft. She notes how Streep’s performances carry an athletic energy, reflecting her dedication to every role.
Jenkins shares her dual preferences in film: the blockbuster “Aliens,” which she credits with pioneering the female action hero trope, and “Tár,” a film rich with complexity that captivates her on multiple levels.
In literature, she lauds Ian McEwan’s latest novel, “What We Can Know,” for immersing readers in a convincingly crafted world. Additionally, she recommends Sidney Blumenthal’s multivolume biography of Abraham Lincoln for its detailed revelations about the historical figure.
A poem that deeply resonates with Jenkins is Gerard Manley Hopkins’s “God’s Grandeur,” particularly for its innovative rhythm and vibrant imagery. Her musical tastes range from Joni Mitchell’s haunting rendition of “Both Sides Now” to anthemic songs like “Mr. Brightside” by the Killers, which has become a sporting events favorite.
Revisiting classics, Jenkins often turns to “To Kill a Mockingbird,” appreciating Harper Lee’s masterful ability to build suspense, even when readers are aware of the outcome. She finds perspective-shifting journalism in Nellie Bowles’s columns for The Free Press, often coming away with new insights.
Among her cherished artwork, Michelangelo’s David tops the list, showcasing an unparalleled depiction of athleticism, and she treasures her visit to the Massachusetts Museum of Contemporary Art, where she encountered Anselm Kiefer’s poignant installations.
As the week unfolds, Jenkins highlights several upcoming cultural events, including the comedy thriller “How to Make A Killing” and Virginia Dignum’s book “The AI Paradox,” inviting readers to delve into new narratives and explore the evolving landscape of all things cultural.
In today’s cultural climate, Jenkins’s reflections remind us of the power of storytelling and the arts to resonate across generations, blending past influences with contemporary insights.