Ron Howard has earned his first acting Emmy nomination for a guest role in Apple TV+’s The Studio, a project that has drawn 23 nominations in total. Howard’s longtime friend and former Happy Days co-star Henry Winkler wasted no time voicing his pride, telling People that he “called him immediately. He was so excited,” and that their conversation happened even before Howard filmed his scenes. “He loved it. He said to me, ‘I’m doing it and I’m going full-tilt.’”
The Studio follows Seth Rogen as Matt Remick, the newly appointed head of the embattled Continental Studios. In a film industry that’s constantly reinventing itself, Matt and his core team navigate infighting among executives as they contend with narcissistic artists and aggressive corporate power players in the high-stakes chase to create great films. Donning power suits that mask underlying anxiety, every party, set visit, casting decision, marketing meeting and award show becomes a potential doorway to glittering success or a career-ending setback. For someone who lives and breathes cinema, this job is not only Matt Remick’s dream but also a potential trap that could ruin him.
The Studio has already pulled in a remarkable lineup of guest stars in its first season, including appearances that play out as either in-universe characters or playful, larger‑than-life versions of themselves. That has led to fan speculation about whether Winkler might ever pop up in the show for a few laughs, given the strong ties and mutual respect between Howard and Winkler.
Commenting on Howard’s nomination, Winkler’s enthusiasm underscores the enduring friendship between the two actors. The moment highlights how a project about the film industry can bring longtime collaborators back into the spotlight in fresh and surprising ways. For fans of both actors, the conversation around a possible Winkler cameo adds another layer of anticipation to The Studio as it forges ahead with its acclaimed ensemble.
Summary: Ron Howard’s first acting Emmy nod for The Studio is drawing kudos from a circle of longtime colleagues, including Henry Winkler, who celebrated the milestone and teased the idea of Winkler joining the show. The series’ high-profile premise and robust 23-nomination tally signal a strong reception for Apple TV+’s behind-the-scenes satire of Hollywood, while the door remains open for future crossovers that could delight fans of Howard, Winkler and the broader film-industry satire they’re delivering. A hopeful note for enthusiasts is the prospect of more high‑wire cameos and collaborative moments that blend nostalgia with contemporary storytelling.