Richard Marx, the renowned singer-songwriter, recently shared insights with PEOPLE about his newest album, “After Hours,” which embraces the vibrant sounds of the big band era. The inspiration for the album came during a cozy evening at home with his wife, Daisy Fuentes, as they enjoyed martinis while listening to Frank Sinatra’s classic, “Fly Me to the Moon.” In that moment, Marx experienced an epiphany, realizing there was a beautiful love song hidden within the classic swing tune. This revelation set him on a path to create “After Hours,” his first album since 2022, filled with melodious nods to the Great American Songbook.

Marx, 62, decided to record the entire album live in the studio. Although he described the process as “scary and intimidating,” it ultimately resulted in an album that captures the joyous spirit he aimed for, perfect for listeners to enjoy during relaxed moments. The album’s sound invites listeners to unwind and savor life, much like the way Marx finds inspiration during his outdoor hikes, composing much of the album’s music while enjoying nature.

One standout track, “Magic Hour,” showcases Marx’s collaborative creativity with Fuentes. The song blends a tango vibe with Latin influences and was birthed out of a casual moment on the beach, where the couple effortlessly crafted lyrics to accompany Marx’s melody. Fuentes’ straightforward feedback serves as an essential guide for Marx’s creative journey, as he values her honesty in assessing his work.

On the personal front, Marx reflected on the strength of his ten-year marriage to Fuentes and their shared commitment to each other. They prioritize spending quality time together, and Marx cherishes his relationship with his three sons, who also pursue music. He expresses pride and excitement in creating art with them, while also acknowledging the challenges they face in the industry. Drawing on his father’s experiences in music, Marx encourages his sons to remain optimistic about their ambitions.

Musically, Marx’s roots in jazz and big band music run deep, and during the recording sessions for “After Hours,” he felt a profound connection to his late parents—his father a notable jazz pianist and his mother a big band singer. The emotional resonance of the album likely reflects those familial influences, as he aimed to create something meaningful.

The album also features special guest appearances, enhancing its rich sound. Friends like Chris Botti and Kenny G contribute their talents, while an unexpected collaboration with Rod Stewart highlights Marx’s admiration for the iconic performer. The inclusion of Stewart adds a layered dimension to the album, making it a memorable endeavor for Marx.

Overall, “After Hours” signifies a thematic return to the roots of classic American music while intertwining personal reflections, familial love, and artistic exploration. Marx’s dedication to his craft and his joy in collaborating with family and friends shine through, setting the stage for a hopeful reception as fans embrace the mix of nostalgia and newness in his latest work.

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