The exploration of masculinity and its ongoing crisis is at the forefront of contemporary discourse, particularly highlighted by Jessa Crispin in her work “What Is Wrong with Men.” The question of how to define and embody masculinity today is growing in urgency, intertwined with broader societal issues such as misogyny, nativism, and economic disparity. This examination takes an intriguing turn by focusing on the cinematic portrayals of Michael Douglas from the 1980s through the late 1990s.
Crispin points out a significant shift in the expectations of manhood that arose during this period. With changing economic conditions—such as the decline of the social safety net and the impacts of globalization—the traditional roles of men as reliable providers and heads of families became increasingly difficult to fulfill. Douglas’s diverse roles throughout his film career, ranging from the corporate titan in “Wall Street” to the troubled protagonist in “Fatal Attraction,” reflect the transformation and tumult inherent in masculinity. His characters resonate with the societal anxieties over gender dynamics, wealth, and authority.
By analyzing Douglas’s performances, Crispin blends feminist perspectives with pop culture insights, unraveling how these narratives contribute to our understanding of men’s fears and the evolving cultural landscape surrounding gender. She asserts that the structures of patriarchy have not only failed women but have also deeply impacted men, ultimately calling for a collective reassessment that could forge a more equitable future.
This examination of masculinity through the lens of popular film allows for critical reflections on contemporary issues, suggesting that by unpacking the complexities of male identity portrayed on screen, society might find healthier pathways forward in addressing both gender relations and the broader implications of power dynamics in our culture.