Paul Thomas Anderson’s latest movie, “One Battle After Another,” offers a dynamic cinematic experience that invites viewers into a politically charged and unpredictable landscape. The film, released on Friday and set in the present day, marks Anderson’s return to contemporary settings for the first time since 2002’s “Punch Drunk Love.”
Leonardo DiCaprio leads the cast as Bob Ferguson, a former revolutionary who has traded a life of chaos for a semblance of normalcy, prompted by the birth of his daughter Charlene, with girlfriend and fellow radical Perfidia, played by Teyana Taylor. Bob’s retreat from his past crime-filled life is disrupted when old enemies resurface, leading him and his daughter, now going by Willa, on an intense and erratic journey for survival.
The narrative blends tension and humor, demonstrating Anderson’s unique style of storytelling. Through DiCaprio’s portrayal, Bob is a complex character navigating the consequences of his past, attempting to shield his daughter from his former life. His performance is compelling, as he juxtaposes elements of slapstick comedy with a father’s fierce dedication.
Newcomer Chase Infiniti makes a significant impact with her first film role as Willa, delivering a performance that expertly matches DiCaprio’s energetic and emotionally rich depiction. She embraces Willa’s strength and emotional openness, making for a striking on-screen presence.
The female characters are pivotal in this narrative, with Teyana Taylor’s commanding performance as Perfidia leaving a lasting impression. Her character’s influence remains palpable even when she is absent from the screen. Regina Hall offers an unexpectedly moving performance as Deandra, known for her comedic chops, she brings depth to her role here.
Veteran actors Benicio del Toro and Sean Penn contribute memorable performances, adding layers of complexity to the story. Del Toro portrays Sensei Sergio St. Carlos, a character offering comedic zen and guidance, while Sean Penn’s portrayal of the volatile Col. Steven J. Lockjaw offers a blend of humor and menace.
The film’s visual and auditory aspects, helmed by cinematographer Michael Bauman and composer Jonny Greenwood, enrich the storytelling, transforming these elements into essential characters within the narrative. The use of VistaVision camera equipment pairs modern storytelling with a classic, Hitchcockian aesthetic, reminiscent of films like “Vertigo.”
“One Battle After Another” resonates with viewers through its reflection of real-world issues such as domestic terrorism and family separation, presented in a manner that encourages introspection rather than prescribing specific emotions or thoughts.
The film’s beauty lies in its ability to mirror societal challenges in a distorted, funhouse-like reflection. It captures the chaotic essence of current times while exploring themes of family, love, and resistance. This combination makes “One Battle After Another” not only a film of its moment but one that is likely to linger in the audience’s minds well beyond its runtime.