There exists a unique segment of pop culture enthusiasts who seek delight in their media through three critical elements: fabulous divas, indulgent escapades, and eye-catching dresses. As someone who embraces this notion, I find myself drawn to programming that showcases strong women in vibrant, mid-century outfits navigating a whimsical Palm Beach setting. However, my fondness for campy entertainment was challenged during the lackluster first season of Apple TV’s “Palm Royale,” which struggled with underdeveloped characters and uneven pacing. While I appreciated the stunning visuals—including Maxine’s (Kristen Wiig) glamorous blonde curls and Norma’s (Carol Burnett) stylish kimonos—the season’s attempts at serious storytelling often disrupted the playful atmosphere.
Fortunately, the second season of “Palm Royale” makes a marked improvement by encouraging viewers to embrace the humor in its premise and pushing aside critical analysis for pure enjoyment. The success of shows like “Succession,” “Big Little Lies,” and “The White Lotus” has highlighted a fascination with the intricacies of the wealthy, yet “Palm Royale” appears to have learned from these predecessors without burdening itself with their weighty expectations.
The first season’s struggle to meet such high standards was perhaps misguided, as public interest in “rich people dramas” can be fleeting. Unlike a fleeting fashion trend, television shows that attempt to capitalize on their initial buzz often risk their relevance by the time they air. This predicament complicates viewers’ ability to empathize with affluent characters embroiled in emotional turmoil, particularly in our current economic landscape.
Yet, this does not signify a bleak future for shows like “Palm Royale.” In fact, it may indicate a readiness for a shift. The second season seems to embrace the absurdity inherent in its narrative, allowing for a lighter approach that encourages viewers to enjoy the spectacle without the need for deeper significance.
Although the plot remains as loose-chained as in its inaugural season, a newfound self-awareness among the characters permits a more relaxed viewing experience. One can delight in the vivid colors, sparkling attire, and sharp dialogues—a blend reminiscent of a whimsical children’s show designed for a more mature audience. As “Palm Royale” embraces its gaudy charm, it aligns perfectly with the entertaining escapades of its affluent cast.
Picking up from the dramatic conclusion of season one, the new season commences with Maxine confined in a mental health facility, while various characters navigate personal turmoil and humorous situations. While the plot may not leave a lasting impression, the show shines in its art direction and the exceptional delivery of its cast, particularly Allison Janney.
This second season of “Palm Royale” offers a refreshing perspective on its intentions. It acknowledges its own silliness, and in doing so, manages to thrive. The overall ambiance has elevated since the first season, with an impressive score featuring an original number from Ricky Martin, immersive settings, and stunning fashion. Unabashedly inviting viewers to enjoy the lighter side of entertainment, the second season of “Palm Royale” is a delightful escape from more intense programming. It isn’t groundbreaking, but it provides a welcome reprieve filled with laughter and stylish martinis.