Orchestra Nova Northwest recently marked its name change with a captivating performance at Reynolds High School on September 14, featuring compositions by African-American composers. Under the direction of Music Director Steven Byess, who is now in his 10th season, the concert showcased works by George Walker, Florence Price, and Fred Onovwerosuoke, highlighted by pianist Artina McCain’s vibrant interpretations.
Despite the outstanding program, the event was slightly overshadowed by a low turnout on a rainy evening.
Previously known as the Portland Columbia Symphony, the orchestra adopted the name Orchestra Nova Northwest to better reflect its mission of promoting diverse musical talent in the greater Portland area. This concert underscored their renewed artistic direction, starting with Onovwerosuoke’s Dance Tribute for Orchestra and Piano Obbligato. Onovwerosuoke, who was born in Ghana to Nigerian parents, is an award-winning composer well-versed in both African and Western music styles. His extensive research across over thirty African countries has enriched his musical perspective.
Traditionally, orchestra concerts open with a short, lively piece to engage the audience. Onovwerosuoke’s work did just that, presenting a mini-piano concerto that featured McCain’s spirited piano playing. The composition integrated infectious melodies with African influences and was enhanced by lively flute riffs and dynamic percussion.
Walker’s Lyric for Strings also received its due recognition during the concert. Composed when he was just 24 at the Curtis Institute of Music, this piece has gained traction globally, highlighting Walker’s talent. Byess skillfully elicited the mix of sorrow, beauty, and hope that characterizes the Lyric for Strings, balancing the lower strings’ depth with a prayerful yet not overly solemn tone.
The recent revival of interest in Florence Price’s music came to life through her Piano Concerto in D Minor, which McCain performed passionately. The engaging melodic lines of the “Andantino” shone with McCain’s energy, while the duet between piano and oboe in the “Adagio cantabile” was particularly striking. The vibrant rhythms of the “Allegretto” led to a thrilling conclusion.
After intermission, the orchestra delivered a strong rendition of Price’s Symphony No. 1 in E Minor. Byess skillfully guided the ensemble, showcasing the woodwinds and a beautiful viola solo in the first movement. The interaction of brass and woodwinds enriched the second movement, while the clarinet instilled a dynamic sense of movement, leading to infectious rhythms in the third movement and a jubilant finale in the fourth.
Reflecting on the sparse audience, it is clear that the orchestra has made significant efforts to attract patrons in the east-county area with concerts in Gresham and Troutdale. However, it raises questions about how to enhance turnout in future performances.