The documentary directed by Brett Ratner, titled “Melania,” is poised to make its debut at the recently renamed Donald J. Trump and John F. Kennedy Center for the Performing Arts in Washington, D.C. This major venue change occurred in early December, with the center now carrying the name of both President Trump and the late President Kennedy.
This documentary showcases First Lady Melania Trump’s return to the White House, following her involvement in the film. Footage from the 20 days leading up to the 2025 Presidential Inauguration reveals her perspective, starting with a poignant moment in the U.S. Capitol rotunda, where she acknowledges her husband’s second inauguration with the words, “Here we go again.” Amazon plans a theatrical release for “Melania” on January 30, 2026, while a streaming date on Prime Video has yet to be announced. In addition, a three-part docuseries is expected to accompany the film.
This project signifies a notable return for Brett Ratner, who has not directed a film since 2017 amid allegations of sexual misconduct. The announcement of “Melania” came just weeks before President Trump’s anticipated return to the White House.
The renaming of the arts center has already sparked controversy. White House press secretary Karoline Leavitt revealed that the center’s board, appointed by President Trump, voted unanimously for the rebranding. Critics, including members of Congress and the Kennedy family, have raised concerns about the legality of the name change, arguing it diminishes the institution’s original purpose as a “living memorial” to President Kennedy.
Further complicating matters, the center has faced instability with numerous performers canceling their appearances in protest of the new administration and its branding. This follows reports of delays in payments to artists who have worked at the venue, leading to grievances and significant legal activity, including a lawsuit against jazz musician Chuck Redd for $1 million after he canceled a performance.
As this documentary and the rebranding of the arts institution unfold, the events promise to generate ongoing conversation regarding the intersections of art, politics, and public perception in contemporary America.