Sony has unveiled the FX2, a high-resolution cinema camera that marks a departure from its predecessor, the FX3. Launched more than four years after the FX3, the FX2 incorporates features designed for both professional videographers and photographers.
At the core of the FX2 is its 33-megapixel full-frame BSI sensor, which is capable of delivering exceptionally sharp oversampled 4K video up to 30p. This sensor is dual-gain, showcasing impressive dynamic range, particularly at base ISO 800 in S-Log3, with minimal noise at ISO 4000. However, it does have limitations, such as noticeable rolling shutter effects in oversampled 4K and an APS-C crop required for 4Kp60 recording, unlike the full-width options available in earlier FX models.
A significant feature of the FX2 is its mechanical shutter, a surprising inclusion given the trend towards electronic shutters in previous models like the FX30. This shutter allows for better performance when shooting stills and is seen as beneficial to set photographers. Moreover, the camera can shoot JPEGs with the S-Log3 profile for consistent color grading across video and stills.
The FX2 can store footage on either a CFexpress Type A card or a UHS-II SD card, although RAW video recording is limited to external devices in a cropped APS-C format. The camera uses the Sony FZ-1000 battery, typically providing just over an hour of recording time.
From a design perspective, the FX2 features a prominent electronic viewfinder (EVF), a first for the FX line. Its tiltable design allows for ease of use, particularly in lower shooting positions. However, the LCD screen is criticized for its lower resolution and detail, making it less useful for confirming focus without zooming in.
Sony has also improved the camera’s stabilization features over the a7 IV. The in-body stabilization helps counteract jittery footage, and two “Active Steadyshot” digital stabilization modes provide smoother results when filming while moving.
For video creators considering the FX2 versus the a7 IV, the FX2 offers enhanced video recording capabilities, including a built-in fan that helps prevent overheating during extended shoots, and superior autofocus thanks to a dedicated processor.
While the FX2 aims to cater to cinematic creators, it also retains some appeal for photographers with its robust feature set. It competes with other models in the market, including the older FX3, which outperforms in fast-action video scenarios. Alternatives such as Nikon’s Z6 III and Panasonic’s S1 II also provide compelling features, but the FX2’s design, stability, and autofocus may give it an edge in certain situations.
In conclusion, the FX2 stands out for those who need a versatile camera that excels in both video and photography. Although it has certain shortcomings, including rolling shutter issues and LCD resolution, its strengths make it a noteworthy addition to Sony’s cinema lineup.