In 2014, Mac Miller was charting new territory in the hip-hop scene, firmly establishing himself as an independent artist whose music had evolved significantly from its early frat-rap days to a more complex psychedelic sound. Residing in the lavish hills of Los Angeles, the rapper struggled with the weight of fame and turned to substances to cope, leading to increasingly darker thematic explorations in his music. This tumultuous period is captured in “Balloonerism,” his second posthumous release.
Miller tragically passed away in September 2018 due to an accidental drug overdose at the young age of 26, leaving behind a collection of unfinished music projects. “Balloonerism,” reflecting on earlier works, pulls from over a decade’s worth of recordings, showcasing some of Miller’s deepest, most experimental artistry, much like his previous posthumous album, “Circles.”
The new album predominantly features raw tracks that echo the vibe of Miller’s earlier efforts, particularly his 2013 album “Watching TV With the Sound Off” and the 2014 mixtape “Faces.” Filled with unfinished ideas, these tracks resonate with the same honesty and vulnerability Miller was known for during his life.
Standout tracks include “Rick’s Piano,” a creation from Miller’s time collaborating with the renowned producer Rick Rubin, as he sought help for his addiction struggles. The track “Funny Papers” lays the groundwork for themes that would later emerge in Miller’s 2018 album “Swimming,” while songs like “Stoned” and “Friendly Hallucinations” feature an anticipation of the funkier elements found in his later works.
Miller also ventures into more experimental territory with tracks such as “Excelsior” and “Transformation,” which explore unique soundscapes and trip-hop beats. The hauntingly introspective “Tomorrow Will Never Know” serves as a poignant reminder of Miller’s battle with life and death, culminating with reflections on mortality that reveal a heartbreaking clarity in light of his passing.
While “Balloonerism” may not conform to traditional song structures, its value lies in the candid exploration of Miller’s internal struggles and philosophical grappling with existence. Lyrics that once felt prescient now carry a weight that resonates deeply with fans. Lines like “If I die young, promise to smile at my funeral” encapsulate his reflective state, making listeners confront their emotions surrounding his untimely loss.
In this new body of work, Miller emerges as an artist who bravely navigated his darkest moments while continuously reaching for a brighter future. “Balloonerism” not only serves as a testament to his talent but also offers solace by shedding light on the complex life he led—full of hope, pain, and an unending quest for understanding. Through this album, fans are reminded of Miller’s enduring legacy and the raw humanity he infused into his art.