Sophia Brooks’ romantic comedy offers a quirky take on relationships, beginning with a lighthearted roadside encounter involving strawberries. The film centers around Iris, played by Molly Gordon—who co-wrote the screenplay—and Isaac, portrayed by Logan Lerman. While the couple embarks on a weekend getaway to a rented country house, it’s quickly evident that the dynamics of their relationship are uneven, with Iris emotionally invested while Isaac appears more casual.
The chemistry between Gordon and Lerman is palpable, enhancing the film’s comedic undertones despite its inclusion of cheeky elements, like S&M gear discovered in their Airbnb. The film maintains a playful tone without crossing into risqué territory, earning it comparisons to ’50 Shades of Grey’ but with a humorous twist.
Tension escalates in the plot when Isaac finds himself handcuffed to the bed as Iris attempts to persuade him of their compatibility after he admits he hasn’t viewed their relationship as serious. The arrival of Iris’s best friend, Max, along with her boyfriend Kenny, adds a layer of dark comedic horror to the evolving scenario.
David Cross makes a delightful cameo as the intrusive neighbor Steve, providing humorous moments alongside Polly Draper’s appearance as Iris’s mother. The narrative occasionally veers into clichés, suggesting all men share the same flaws, which detracts from the film’s realism. Despite this, it raises an important consideration about how love can blind individuals to underlying issues—something many can relate to.
Although the conclusion might feel overly neat, the overall comedic execution is strong, particularly through the lively performances of Gordon and Lerman. This film invites viewers to reflect on their relationships while providing plenty of laughs along the way.
Currently showing in theaters, it proves to be a worthwhile watch for those seeking an entertaining exploration of love and misunderstanding.