Renowned Philippine director Lav Diaz has developed a distinctive cinematic style characterized by lengthy runtimes and a contemplative approach to storytelling. His 2014 film, “Norte, the End of History,” showcased this style with a nearly five-hour duration, drawing viewers into a complex narrative inspired by Dostoyevsky’s “Crime and Punishment.” Diaz’s use of slow-tracking shots invites profound immersion into his worlds, emphasizing a visual experience over traditional narrative pacing, a feature that may not resonate with all audiences but ultimately categorizes his work as artistically significant.
Diaz’s latest film, “Magellan,” offers a more concise viewing experience at two hours and 45 minutes, making it an accessible entry point for those new to his cinematic oeuvre. The film stars acclaimed actor Gael García Bernal in the titular role, presenting a Magellan who is complex and not without flaws, reflecting both the grandeur and moral ambiguities of early exploration.
Set in 1511, “Magellan” begins with the explorer’s landing in Malacca, effectively weaving visual elements reminiscent of classic cinema, such as the swampy landscapes that evoke Italian neorealism. Diaz skillfully avoids glorifying colonial ideologies; instead, his narrative focuses on the raw brutality of conquest and the often chilling realities of the human condition. Through the character of Magellan, Diaz explores themes of ambition and delusion, exposing the darker sides of historical figures often romanticized in popular narratives.
The film also delves into Magellan’s personal life, showcasing his dreams of his wife, Beatriz, which add layers to his character. These glimpses of his tenderness do not overshadow his cruel instincts; rather, they serve to highlight the contrasts in his nature, amplifying the film’s commentary on the violence that accompanies progress and the troubling legacy of colonialism.
“Magellan” stands as a thought-provoking exploration of history, morality, and the complexities of human behavior, inviting audiences to reflect on the past and its modern implications. Lav Diaz continues to engage and challenge viewers, further solidifying his status as a critical voice in contemporary cinema.