Ahn Sung-ki, a revered figure in South Korean cinema whose impressive career spanned over six decades and included more than 130 films, has passed away at the age of 74. His agency, Artist Company, along with Seoul’s Soonchunhyang University Hospital, confirmed that Ahn had been battling blood cancer before his death.
Ahn began his acting career at a remarkably young age, making his debut as a child actor in the 1957 film “The Twilight Train” at just five years old. Throughout his childhood, he featured in approximately 70 films before stepping back from the industry during his teenage years. After graduating with top honors in Vietnamese studies from Hankuk University of Foreign Studies, Ahn initially found it challenging to revive his acting career. However, he made a successful return in 1977, with a significant breakthrough role in the generational drama “Good, Windy Days” (1980), which earned him the Grand Bell Award for Best New Actor.
Ahn’s career flourished as he became a central figure in contemporary Korean cinema, renowned for his performances characterized by emotional resonance and authenticity. His extensive filmography includes notable works such as “Mandara,” “Whale Hunting,” “White Badge,” “Two Cops,” and critically acclaimed hits like the military drama “Silmido” and the music-industry narrative “Radio Star,” where he portrayed the dedicated manager of an aging artist.
Throughout his illustrious career, Ahn garnered five Grand Bell Awards for Best Actor, setting a record that highlights his exceptional talent and dedication. He was widely respected for maintaining a scandal-free public image, which contributed to a rare level of trust within the industry. In a 2023 interview, Ahn expressed how the expectations placed upon him fueled his desire to work in a manner that earned the public’s respect. He also preferred to avoid romantic scenes deemed unnecessary for the narrative.
Beyond his screen performances, Ahn was deeply involved in the South Korean film community, advocating for actors’ rights and serving as chair of the Korean Film Actors Association during pivotal changes in the industry. He leaves behind a legacy marked by unwavering integrity and a profound contribution to Korean cinema.
Ahn is survived by his wife, Oh So-yeong, and their two sons, leaving behind a family and a film industry that will remember him with great admiration and respect.