Kenny Loggins Slams Unauthorized AI Use of Danger Zone in Trump Video

Kenny Loggins Slams Unauthorized AI Use of Danger Zone in Trump Video

Kenny Loggins has raised his voice against the unauthorized use of his iconic song “Danger Zone” in a controversial artificial intelligence-generated video featuring former President Donald Trump. The video, shared on Trump’s Truth Social platform last weekend, depicts the former president dumping excrement from a fighter jet during the “No Kings” protests. Loggins expressed his disapproval in a statement on his website, stating he had not granted permission for his music to be used in such a divisive manner.

“I can’t imagine why anybody would want their music used or associated with something created with the sole purpose of dividing us,” Loggins remarked. He implored for unity among Americans, emphasizing the need to come together rather than allow divisive actions to tear the nation apart. Loggins’ statement reflects a common sentiment shared by many artists who oppose having their music utilized in politically charged contexts without consent.

Despite Loggins’s call for the video to be taken down, it remained accessible on Truth Social as of Tuesday morning. This incident brings to light a broader trend, as many musicians, including the likes of Adele and Bruce Springsteen, have voiced objections over the years to Trump’s use of their songs at campaign rallies and public events without permission.

Representatives for Loggins reiterated his initial statement when contacted for further comments, emphasizing the importance of artist consent in the use of their works. Meanwhile, the White House’s response came in a notably lighthearted manner, sharing a still from “Top Gun” with the quote, “I FEEL THE NEED FOR SPEED,” referencing one of the film’s most recognizable lines.

In recent times, Trump has utilized music in other political contexts too, previously featuring tracks like Blue Oyster Cult’s “Don’t Fear the Reaper” in social media posts. Interestingly, as the “No Kings” rallies unfolded across the nation, large crowds gathered to express their dissent against what they perceive as authoritarianism among Trump’s policies. Trump, dismissing the protests as a “joke,” stated, “I’m no king,” highlighting his often contentious relationship with political critiques.

This situation illustrates the ongoing intersection of music and politics, demonstrating how artists are increasingly taking a stand against their works being appropriated for political purposes. It reinforces the idea that music can serve as a unifying force, urging society to engage in constructive dialogue during challenging times, and reminding us of the responsibility tied to artistic expression.

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