Henrik Ibsen’s iconic play “Hedda Gabler,” which debuted in 1891, continues to provoke discussion with its complex female protagonist who challenged the restrictive norms of her time. Renowned as a proto-feminist work, the play has inspired numerous adaptations across film and theater. Recently, the Old Globe Theatre has commissioned a new translation of “Hedda Gabler,” crafted to resonate with modern audiences.
Adding to the play’s legacy, last year saw the release of a new film adaptation featuring Tessa Thompson, directed by Nia DaCosta. Now, actress Katie Holmes steps into the title role for the Old Globe Theatre, reinforcing the play’s relevance, particularly among women today.
“I think that female rage resonates,” Holmes remarked, emphasizing the timeless nature of the play’s themes. She is set to perform in Erin Cressida Wilson’s fresh translation, under the direction of Barry Edelstein, the Globe’s Erna Finci Viterbi Artistic Director.
Holmes expressed her long-standing admiration for the play, noting the unique opportunity to interpret such a renowned character with Wilson’s strong adaptation. The collaborative process has spanned a year of discussions and script revisions, which Holmes found both exciting and challenging. “This character speaks to all women,” she stated, highlighting the emotional relatability of Hedda’s struggles.
Echoing these sentiments, Wilson reflected on the enduring relevance of Ibsen’s work, especially in light of the #MeToo movement, which encourages women to confront and share their truths. She described Hedda as embodying complex desires and societal expectations that continue to resonate today, coining this dynamic as the “kaleidoscope of Hedda.”
Edelstein, undertaking his first directorial role for “Hedda Gabler,” emphasized Ibsen’s influence as the pioneer of modern theater and psychological realism. He remarked on the play’s exploration of ordinary people facing significant challenges, paralleling contemporary narratives found in shows like “The Sopranos.”
The narrative of “Hedda Gabler” follows the titular character, a general’s daughter, who finds herself trapped in an unwelcome marriage and domestic life. Her drastic actions have ignited debate over whether she serves as a feminist icon or simply embodies the destructive tendencies of a bored aristocrat.
Describing the character, Edelstein likened her to a contemporary Hamlet, navigating a patriarchal society that curtails her options. He posited that although the themes of patriarchy remain pertinent, they now intersect with broader discussions of women’s agency, representation, and empowerment in today’s world. This shift transforms the play into a critique not only of gender dynamics but also of societal limitations on free-spirited personalities.
“Hedda Gabler” at the Old Globe will commence preview performances soon, with the run extended to March 15. The production follows in the footsteps of notable portrayals of Hedda, including performances by Ingrid Bergman, Diana Rigg, and Glenda Jackson, ensuring that the legacy of this important work continues to captivate and inspire new generations.