John Cusack is stepping into the comics scene this summer with the release of his debut graphic novel, Momo, set to hit the shelves in July 2026 under Mad Cave Studios. The actor, known for his iconic roles in films spanning several decades, plans to dedicate his entire promotional efforts to late-night talk shows in 2026, elevating his engagement with the project uniquely.
Momo, which boasts a page count of 192—expanded from an original 150-page script—features artwork by Ignacio Noé and lettering by Taylor Esposito. The project’s roots can be traced back over 16 years, with Cusack developing this intriguing story alongside contemporary artist Ignacio Noé. The concept was sparked when the two investigated classified documents pertaining to 1970s drug routes, which helped lay the foundation for the narrative’s evolution.
The plot of Momo follows two criminals on a surreal road trip as they attempt to deliver a mysterious artifact to the late Jackie Gleason. The narrative is a wild blend of cosmic horror, conspiracy theories, and surreal fantasy. As the story unfolds, the characters encounter a chaotic assortment of supernatural beings, from demonically-possessed monsters to occult actors, all while journeying through a decaying American landscape rife with nuclear secrets.
Mark Irwin, Vice President at Mad Cave Studios, expressed high expectations for the project, claiming that “every conspiracy theory coupled with every surrealistic fantasy you could ever imagine” converges within its pages. His enthusiasm suggests that Cusack’s impact on the graphic novel realm could be profound, especially as his approach to promotion breaks from the norm within the industry.
Throughout his cinematic career, Cusack has built a diverse portfolio, garnering fame during the 1980s Brat Pack era with films like Better Off Dead and Say Anything. Now, with Momo, he seeks to expand his artistic horizons by not only writing the script but engaging directly with fans and potential new readers through a robust promotional campaign, including appearances at notable events like the San Diego Comic-Con 2026.
The bold strategy of utilizing the late-night talk show circuit could introduce Momo to a broader audience, transcending traditional comic book readership. Early indicators of public interest are promising, with pre-orders reflecting enthusiasm, and varying editions, such as hardcover and collector’s versions, expected to attract different segments of the market.
Cusack’s venture into the graphic novel realm, paired with an innovative promotional approach, has the potential to create a significant cultural moment within the comics industry, showcasing how a well-known figure can impact fandoms and storytelling. With its compelling narrative and Cusack’s willingness to embrace this creative challenge, Momo is poised to make an impression when it arrives next summer.