Jack Nicholson, an iconic figure in cinema known for his remarkable performances and larger-than-life persona, has expressed mixed feelings about his early films. While his career took off with the release of *Easy Rider*, which marked a pivotal point in the ‘New Hollywood’ era, Nicholson has since reflected on some of his earlier works with a critical eye.
In a candid conversation with Vanity Fair, Nicholson described his first movies, including *The Cry Baby Killer*, *The Little Shop of Horrors*, *The Terror*, and *The Raven*, as “so unbearable” to watch. He explained that when revisiting these films, all he sees is a “fearful, tremulous, naked, desperate ambition” from his younger self—an outlook he finds somewhat “pathetic.”
Nicholson’s early career also included roles in lesser-known films such as *Hell’s Angels on Wheels* and a foray into psychedelic cinema with *Psych-Out*, *The Trip*, and *Head*. Despite being a writer for the latter two, he still regards that phase of his career as lacking the confidence and skill that later defined his body of work.
The actor’s self-critique highlights a common experience among creatives, who often look back at their beginnings with a mix of nostalgia and embarrassment. However, it is also a testament to his growth and evolution as an artist, demonstrating that even those at the peak of their profession can feel a sense of humility regarding their past.
As Nicholson reminisces about his past, it’s a reminder that every successful figure starts somewhere and that initial awkwardness is a part of the journey to greatness. This sentiment can inspire emerging actors to embrace their early work, regardless of self-doubt, knowing that progress is a natural part of growth in any creative field.