The latest episodes of “It: Welcome to Derry” are pushing boundaries with their creative liberties, diverging significantly from Stephen King’s original narratives. While adapting the time period to connect with Andy Muschietti’s films raised few eyebrows, the series has transformed the straightforward historical context of its storyline by amplifying the roles of existing characters, like Dick Hallorann, and integrating elements from various other King works. This juxtaposition of familiar characters and plotlines has created a rich yet uneven tapestry, capturing the spirit of King’s universe.
The episode titled “29 Neibolt Street” showcases this amalgamation beautifully, especially through the theme of reunion among the young protagonists. After a traumatic confrontation with Pennywise, Marge (Matilda Lawler) reconciles with Lilly (Clara Stack), reinforcing their bond amidst chaos. The return of Matty Clements (Miles Ekhardt), emerging from the sewers with a haunting account of his captivity, propels the group into a daring rescue mission, framing Lilly as a courageous leader. She challenges her friends to ponder their roles in times of crisis—whether they are “anchors or lifeboats.”
Meanwhile, General Shaw’s alarming initiative to “shrink the cage” around Pennywise through the mysterious pillars introduces another layer of tension. Despite the peculiar nature of Shaw’s strategies, which lean more into thriller than horror and suggest impending conflicts, James Remar has managed to maintain his character’s likability even as his actions seem increasingly dubious. The promise of a potential town-wide cleanup raises the stakes, hinting at dark twists ahead.
“29 Neibolt Street” also deepens the connection between Rose and her nephew Taniel (Joshua Odjick), who is destined to wield a ceremonial knife crafted from remnants of Pennywise’s comet. This constructs a parallel to Mike Hanlon’s eventual role as a guardian against Pennywise, hinting at a storied legacy. However, certain elements, like the glowing knife mirroring the lore of other fictional universes, may evoke mixed feelings among viewers.
One striking element of the episode is the kids’ decision to take “Mommy’s Little Helpers,” barbiturates intended to dull their fears, an idea that could have been a powerful narrative device but instead feels underutilized. The lack of focus on individual perspectives during this unsettling moment diminishes its potential impact. Nevertheless, the eerie atmosphere of the sewer sequences captivates visually, characterized by somber shadows and chilling encounters, effectively amplifying the tension.
The soldiers’ fray with Pennywise underscores the omnipresent danger lurking in Derry, with Leroy Hanlon (Jovan Adepo) and Dick Hallorann (Chris Chalk) facing their own fears amidst the chaos. Hallorann’s struggle with past traumas adds depth to his character, linking his experiences in “Doctor Sleep” with the unfolding terror. The series emphasizes mental conflict, showcasing that even characters with a strong psychic prowess can be engulfed by their demons.
As the children and soldiers converge in the ominous sewers, Pennywise reveals himself not just as a fearsome entity but as an intelligent predator. The horror is amplified when Pennywise emerges from Matty Clements’ corpse, a chilling reminder of the monster’s deceitful mastery. Bill Skarsgård returns with a haunting performance, capturing the essence of the character while adding layers of darkness.
While the episode briskly carries the plot into the depths of fear, it also sidesteps the narrative concerning Hank and his subsequent escape from a prison transport. This subplot, while intriguing, feels like a distraction amid the intense focus on the children and General Shaw’s desperate measures.
Despite its uneven pacing and occasional narrative tangents, “29 Neibolt Street” showcases the show’s daring creative direction. With characters at pivotal crossroads and the ever-looming threat of Pennywise, viewers are left eager for more revelations as the series continues to navigate its dual allegiance to King’s legacy and fresh storytelling.