The music industry is no stranger to artists announcing their retirement, only to return to the stage. Iconic bands like Mötley Crüe and Oasis are just two examples of performers who have made bold statements about leaving the spotlight, only to reunite and tour again. Now, The Weeknd, whose real name is Abel Makkonen Tesfaye, appears to be on that journey as he contemplates stepping away from the persona that has led to seven No. 1 hits, four Grammy Awards, and astonishing record sales exceeding 75 million.
During the first of three sold-out shows on his “After Hours Till Dawn” tour at MetLife Stadium in East Rutherford, New Jersey, Tesfaye celebrated his illustrious career rather than signaling an end. The concert featured an impressive 39-song setlist that spanned his career, moving through various styles and hits that resonated deeply with his audience.
A nod to his beginnings, the show commenced with Tesfaye masked and accompanied by dancers in elaborate attire, echoing the mystery that characterized his early work. The concert’s cinematics mirrored the themes of his albums, oscillating between purgatory and futuristic aesthetics—an expression of his artistic evolution over the years.
His performance showcased a strategic arrangement of fan favorites and deep cuts, with seamless transitions that maintained the audience’s energy. Highlights from his vast catalog included “The Hills,” “I Can’t Feel My Face,” and “Save Your Tears”, interspersed with tracks like “Kiss Land” and “The Morning.” Tesfaye’s connection with his audience was palpable; as he recognized the fans shouting support and singing along, he was visibly moved.
The show was especially poignant considering health challenges Tesfaye faced after losing his voice during a previous performance in Los Angeles in September 2022. This setback led him to create “Hurry Up Tomorrow,” an introspective album that explores themes of mortality and renewal.
Humor and warmth characterized the night, with Tesfaye engaging with audience members, creating memorable moments that further solidified his connection with fans. His final song selections, “High For This” and “House of Balloons,” were tributes to his earliest supporters, hinting that while he might consider leaving the stage behind, his legacy remains vibrant and far from finalized.
As The Weeknd contemplates life after his current era, it raises the question of whether this is indeed the last we will see of him in this form. The beauty of art is its potential for rebirth, making it clear that Tesfaye’s journey is a testament to evolution rather than an ending. His performances continue to inspire, suggesting that if he chooses to return, he could deliver new chapters that reflect his ongoing artistic exploration.