This past weekend, the Glastonbury Festival welcomed music fans back to Worthy Farm, showcasing a spectacular array of performances, political discussions, and unexpected moments. Here are the highlights from the four-day event, emphasizing its significant impact on both music and the ongoing socio-political conversation.
One of the most anticipated moments came from Scottish singer-songwriter Lewis Capaldi, who made an emotional return to the Pyramid Stage after stepping back from touring due to his struggles with Tourette’s syndrome. This year, Capaldi expressed gratitude to the audience, stating, “It’s just amazing to be here with you all.” His performance included hits like “Before You Go” and his new single “Survive,” marking a poignant comeback for the artist.
Olivia Rodrigo also captured attention during her headlining set when she brought out Robert Smith of The Cure to perform classic tracks like “Friday I’m in Love.” Rodrigo’s introduction of Smith as “perhaps the best songwriter to come out of England” highlighted the revered status of the collaboration and resonated well with festival-goers.
In another standout performance, Lorde celebrated her new album “Virgin” with a surprise morning set, delivering her songs to an enthusiastic crowd despite the early hour. Her candid remarks about her creative journey and the pressures of artistry struck a chord with fans.
Political discourse permeated performances as well, particularly with the Belfast rap trio Kneecap, who navigated controversy surrounding their pro-Palestine stance. Their set included a critique of British Prime Minister Keir Starmer, making their performance not just musical but also a platform for advocacy.
When the Deftones had to cancel their set, grime artist Skepta stepped in, delivering a high-energy performance with a short but effective set that included his notable tracks. His ability to captivate the audience without elaborate production showcased the essence of live performance.
The festival also witnessed considerable backlash over politically charged comments. Bob Vylan, another London alt-rap duo, faced severe criticism after leading the crowd in provocative chants during their performance. The fallout included a statement from the U.S. State Department revoking their tour visas, reflecting the heightened sensitivities surrounding public discourse on sensitive issues.
Kate Nash chimed in with a politically charged message, targeting well-known figures such as J.K. Rowling and calling for an inclusive feminism that transcends financial power dynamics. Her performance, dedicated to those she criticized, ignited conversation around the intersection of art and activism.
Overall, Glastonbury 2025 not only entertained but also provoked thought, reflecting the concerns and voices of a generation willing to blend music with activism. As festival organizers highlighted this blend, the impact of artistic expression on political awareness was evident, providing hope that music remains a vital platform for change.
The festival’s intermingling of joy and serious discourse exemplifies how events like Glastonbury can inspire dialogue and drive social consciousness, promising a journey where music continues to bridge divides and foster understanding.