The film “F1,” a new summer blockbuster featuring Brad Pitt, has received a mixed reception from critics, with many viewing it as a missed opportunity. In the film, Pitt portrays Sonny Hayes, a former Formula One star who rises back to racing after a long absence following a devastating crash. The narrative attempts to showcase his life struggles, but critics have noted that the film depicts his character as nearly flawless from the start, lacking any real psychological depth or tension.
Director Joseph Kosinski, known for “Top Gun: Maverick,” brings impressive visuals and slick editing to “F1,” showcasing real racing circuits and featuring high-speed sequences. While the supporting cast, including Javier Bardem and Kerry Condon, delivers commendable performances, the script is criticized for its simplistic dialogue and clichéd plot devices. Critics argue that despite its polished exterior, the film fails to engage viewers on an emotional level or present any real challenges for the characters, instead feeling more like a promotional piece for Formula One than a genuine narrative.
Furthermore, the film’s excessive product placement detracts from its storytelling, making it hard for audiences to resonate with the characters. Formula One enthusiasts might appreciate the film’s homage to the sport, but many viewers may find it lacking in substance and dramatic stakes.
Despite these critiques, there is still potential for audiences who enjoy high-energy visuals and a focus on racing culture. The film’s release is set for June 25 in the UK and June 27 in the US, and it could invite discussions around the portrayal of sports in cinema. Perhaps with minor adjustments, a sequel or similar projects could capture the thrill of motorsport while creating more complex characters and narrative depth.