Recently released documents from the Department of Justice have revealed unsettling correspondence between the late Jeffrey Epstein and Hollywood producer Barry Josephson. Among the emails, one exchange from 2011 raises eyebrows, as Epstein solicited Josephson for recommendations of “amazing women” he could potentially hire as an assistant.
Josephson, known for producing hit series including “Bones” and “The Man in the High Castle,” responded by suggesting a “young, attractive” woman whom he described in objectifying terms, pointing out that she was “smart, although not a genius, but very efficient, will do anything, and tight-lipped.” This alarming portrayal underscores the troubling dynamics that surrounded Epstein and his connections in the entertainment industry.
At the time of this exchange, Epstein was already a convicted sex offender, having pleaded guilty in 2008 to charges related to child prostitution, serving a mere 13 months in prison. His subsequent death in 2019 while facing federal sex-trafficking charges has raised ongoing concerns regarding his extensive social network.
In a statement to Variety, Josephson claimed ignorance regarding Epstein’s illicit activities, stating, “I knew nothing about him,” and emphasized his effort to distance himself in light of new information. However, the archived emails suggest a longstanding friendship that persisted until months before Epstein’s death.
Financial transactions also surfaced, revealing that Epstein had lent Josephson significant sums of money on multiple occasions, including $120,000 in 2011 and assistance with a $215,000 tax bill in 2013. Josephson expressed gratitude towards Epstein, highlighting a reciprocal relationship that extended beyond mere friendship.
Excursions involving young women and discussions about auditions appear throughout their correspondence. In a 2013 email, Epstein sought Josephson’s help in finding actresses willing to fly on his plane, to which Josephson responded with eagerness. Although at one point Josephson sought to help Epstein in casting for “Bones,” he eventually declined to involve Epstein in the audition process, citing the harsh realities of the industry.
This emerging narrative sheds light on the troubling intersections between power, influence, and exploitation, raising questions about accountability within Hollywood and the broader implications of such connections. As new details continue to emerge from the Epstein case, it underscores the need for vigilance in preventing exploitation in all forms within the entertainment sector.