Emma Stone is tackling an intriguing challenge in her latest film, “Bugonia,” directed by Yorgos Lanthimos, where she plays Michelle Fuller, the CEO of a pharmaceutical company who finds herself mistaken for an alien. This absurdist black comedy delves into the bizarre when her character is kidnapped by conspiracy theorist Teddy, portrayed by Jesse Plemons, who believes she has extraterrestrial origins aimed at destruction.
The film’s plot escalates dramatically as Teddy and his cousin Don ambush Michelle at her opulent mansion, incapacitating her with a tranquilizer. The ensuing odd events see Michelle subjected to a head-shaving ritual, which Teddy mistakenly thinks is a way to communicate with her so-called mothership. Stone describes the pressure she faced while filming this pivotal scene in one continuous take. Maintaining her composure during the hair removal process was essential to preserve the moment’s authenticity, a testament to her commitment to her craft. She humorously shared her mantra during this nerve-racking time: “play dead.”
The ambitious scene required all four cameras to capture the unfolding action, and fortunately, it was flawlessly executed on the first try. Director Lanthimos noted Stone’s initial apprehension about the head-shaving scene was quickly overshadowed by her willingness to dive deep into the role. Post-filming, he praised her sense of liberation with her new appearance, even trying to persuade her to keep the look, though she ultimately declined, finding the challenge of concealing her shaved head during additional shoots daunting.
Stone’s transformation also included a quirky element—being coated in lotion by Teddy, intended to suppress any perceived alien powers. She recounted the meticulous process of layering creams throughout the shoot, as the natural heat of her skin would typically cause them to wash away.
Despite the absurd circumstances surrounding her character, Stone finds Michelle to be a compelling individual navigating a surreal predicament. She emphasizes the dynamic between Michelle and Teddy, suggesting that, despite their differences, there’s potential for mutual learning if they found themselves in a different context. This interplay enriches the narrative of “Bugonia,” underscoring the film’s blend of comedy and meaningful reflection.
Stone’s adaptability and willingness to undergo significant physical transformations for her roles not only showcase her dedication but also exemplify a broader trend in the film industry which invites viewers to connect with characters on a deeper emotional level. The anticipation surrounding “Bugonia” speaks volumes about the creative storytelling that Lanthimos and Stone have crafted, promising an engaging cinematic experience. As audiences look forward to its release, “Bugonia” is poised to spark discussions about innovative narratives in contemporary filmmaking.