Scarlett Johansson makes her directorial debut with “Eleanor the Great,” a film that poignantly explores the depths of friendship, loss, and the courage it takes to forge new connections in the face of grief. Centered around Eleanor (June Squibb) and her lifelong best friend Bessie (Rita Zohar), the narrative unfolds in the wake of their husbands’ deaths and the empty nest left by their grown children. With their deep bond unbroken after seven decades, the story takes a turn when Eleanor relocates to New York City, longing for companionship after Bessie’s passing.
The film, written by Tory Kamen, artfully balances the charm of intergenerational friendships with darker twists that challenge the characters’ resolve. As Eleanor navigates her new life with her adult daughter Lisa (Jessica Hecht) and grandson Max (Will Price), she finds herself grappling with old wounds. A visit to a local Jewish community center leads her into an unexpected support group for Holocaust survivors—a poignant setting that plays a critical role in the narrative. Although not a survivor herself, Eleanor’s inadvertent deception creates a web of lies that complicates her growing friendship with college student Nina (Erin Kellyman).
Eleanor’s half-truths provide both comedic moments and a deeper commentary on the desire for connection, especially in the wake of trauma. As their bond strengthens, the film examines the weight of grief and the healing potential of relationships, regardless of shared experiences. Johansson’s direction, combined with Kamen’s witty script and Squibb’s layered performance, brings to life the heart of the story while navigating the complexities of truth and intimacy.
Although the film’s tone fluctuates, especially towards its conclusion, it remains a bold exploration of the human experience. “Eleanor the Great” poses significant questions about the nature of honesty, grief, and the potential for reinvention at any age. With its blend of humor and sadness, alongside themes of resilience, the film promises to strike a chord with audiences, inviting them to reflect on their own relational journeys.
The film premiered at the 2025 Cannes Film Festival and is set for a future release by Sony Pictures Classics. It promises to resonate with viewers, reminding us all that it’s never too late to embrace new beginnings, no matter how daunting they may seem.