Directed by James Marsh, “King of Thieves” is a 2018 British crime film that dramatizes the infamous Hatton Garden safe deposit burglary. The heist, executed by a group of elderly criminals over the Easter Bank Holiday in April 2015, is depicted in the screenplay written by Joe Penhall, Duncan Campbell, and Mark Seal.
The film features a renowned cast that includes Michael Caine, Tom Courtenay, Michael Gambon, Francesca Annis, Charlie Cox, Jim Broadbent, Paul Whitehouse, and Ray Winstone, chronicling the audacious robbery that took place in London’s jewellery district. Unfortunately, despite its impressive ensemble and thrilling concept, the movie struggled to make a significant impact both at the box office and among critics, earning only $7,518 domestically in the U.S. and Canada, with a global total of approximately $11.5 million.
Filming locations featured in the movie highlight central London and the Kent area, showcasing various sights such as the Wig and Pen Pub and Margate railway station. A notable element is Brian Reader’s train journey, played by Caine, which prominently features Abbott’s Cliff in Dover.
Reviews have been largely critical; the film holds a disappointing 31 percent approval rating on Rotten Tomatoes. Critics and audiences alike have expressed disappointment with the execution of the narrative, with some highlighting the film’s lack of depth and excitement. Common sentiments include critiques that it oscillates awkwardly between comedy and drama without succeeding at either. Audience reactions echo this sentiment, with some viewers feeling that the film was poorly constructed and failed to deliver the gripping and humorous experience anticipated from such a high-profile heist story.
Despite the underwhelming reception, the film remains a tribute to the real-life heist that captivated public interest. The intriguing premise surrounding the audacity of elderly criminals attempting such a daring robbery invites discussion about themes of age, crime, and societal perception, making it a unique addition to the genre.
In reflecting on “King of Thieves,” while it may not have achieved the success expected, it has sparked conversations about the complexities of storytelling in films based on real events. Potentially, this could pave the way for more nuanced explorations of criminal narratives in future cinematic endeavors.