The new Netflix series “Dept. Q,” adapted from Jussi Adler-Olsen’s novels, faces mixed reviews, particularly regarding its storyline despite strong character work and performances. Created by Scott Frank, known for his successful adaptation of “The Queen’s Gambit,” the series is visually striking and well-written, yet the plot has been criticized as lacking depth.
The protagonist, Carl Mørck, portrayed by Matthew Goode, is a disgruntled detective who finds himself in a cold case department after a traumatic incident in the line of duty. Set in Edinburgh rather than Copenhagen, the show introduces a supporting cast, including psychologist Rachel Irving and two reluctant colleagues, Rose and Akram. While the character interactions add charm to the series, the central mystery involving a prosecutor, Merritt Lingard, spirals into absurdity as her disappearance ties into a bizarre twist involving imprisonment in a hyperbaric chamber.
Although the plot raises several logical questions about Merritt’s captivity and the motivations behind it, the series counters this with engaging character dynamics and moments of levity. Dialogue exchanges, especially between Carl and Rachel, add humor and depth, providing some delightful moments amid the darker narrative.
Despite its flaws, “Dept. Q” showcases significant potential, particularly if future seasons can deliver more compelling plots. The vibrant supporting characters and captivating setting of Edinburgh demonstrate a promising foundation for a series that might improve if it veers away from the more sensationalist tropes inherent in the novels. With some reworking, the show could evolve into a standout series in the crime thriller genre.