Mary Shelley’s iconic novel “Frankenstein,” originally published in 1818, continues to resonate through time, evolving into various adaptations across film, literature, and culture. In her 1831 introduction to the novel, Shelley expressed a desire for her “hideous progeny” to thrive and evolve, a sentiment that reflects how her tale of the scientist Victor Frankenstein and his tragic creation embodies the ongoing tension between scientific advancement and human connection. As advancements such as the Industrial Revolution and, more contemporarily, artificial intelligence emerge, Shelley’s narrative remains a powerful metaphor for the moral dilemmas posed by innovation.
Guillermo del Toro has long envisioned creating his own interpretation of this classic story, inspired by the 1931 film directed by James Whale. His oeuvre often mirrors the themes present in “Frankenstein,” exploring the complex relationships between humans and fantastical beings. Works like “Pan’s Labyrinth” and “The Shape of Water” delve into similar explorations of horror interwoven with beauty and emotional depth.
In this latest adaptation of “Frankenstein,” del Toro weaves elements from various incarnations of the story and integrates them into a grand yet personal narrative. This retelling begins with a frame set in the Arctic, where an expedition encounters Victor Frankenstein (Oscar Isaac), who recounts his ambitions and tragic misadventures. The tale shifts between the perspectives of Victor and his creature, highlighting themes of creation, rejection, and the desire for companionship.
Del Toro’s version opts for a mid-19th-century setting during the Crimean War, modifying the traditional narrative to underscore Victor’s morally corrupt quest driven by a desire for revenge against life and death. As he gathers body parts from battlefields rather than graveyards, the film juxtaposes grotesque visuals with the beauty of human anatomy, skillfully captured by cinematographer Dan Laustsen. This duality mirrors Victor’s relentless pursuit of knowledge, accompanied by Alexandre Desplat’s sweeping musical score, adds emotional layers to the visual storytelling.
The creature, portrayed by Jacob Elordi, is depicted not as a mere monster but as a tragic figure longing for understanding in a world that rejects him. Elordi’s performance adds new dimensions to the character, revealing a yearning and sensitivity that contrasts sharply with Victor’s unyielding ambition and emotional detachment, masterfully portrayed by Isaac.
Despite its horror elements, del Toro’s “Frankenstein” transcends genre expectations, blending steampunk aesthetics with melodrama. The film prioritizes atmosphere over conventional scares, captivating audiences with its rich visual language and evocative themes of love, loss, and the quest for acceptance. Although some characters, including Victor’s love interest, Elizabeth (also played by Mia Goth), are not as fleshed out, the film’s lavish production and emotional depth create a haunting experience.
Del Toro’s adaptation ultimately embraces the tragic nature of its characters, highlighting the timeless relevance of Shelley’s narrative. It stands as a testament to the indelible imprint of innovative storytelling and human experience, demonstrating that “Frankenstein” will continue to inspire and evolve with each new interpretation, reflecting the complexities of humanity amidst an ever-changing landscape.