The collaboration between Ted Danson and Michael Schur has set high expectations for audiences, especially following their success with NBC’s critically acclaimed series “The Good Place.” Danson’s impressive career includes notable roles in classics like “Cheers” and “Curb Your Enthusiasm,” while Schur is known for creating beloved sitcoms such as “Brooklyn Nine-Nine” and “Parks and Recreation.” Therefore, their new Netflix series, “A Man on the Inside,” which is now available for streaming, had the potential to be a standout production.
However, the series falls flat, lacking the captivating energy that characterized their previous collaborations. It presents a disjointed narrative that feels more like a rough draft than a polished series. Danson portrays Charles, a retired professor grappling with life after the death of his wife due to dementia. Seeking purpose, Charles answers a classified ad to assist a private detective named Julie (played by Lilah Richcreek Estrada) in solving a robbery of a valuable necklace at a San Francisco retirement community.
As Charles immerses himself in the vibrant life of the Pacific View community, he encounters a mix of engaging characters, including the compassionate director Didi (Stephanie Beatriz) and charming residents like Florence (Margaret Avery) and Virginia (Sally Struthers). While he tries to navigate the mystery and mend his strained relationship with his daughter Emily (Mary Elizabeth Ellis), the series juggles multiple themes that clash rather than harmonize.
The narrative aims to explore various elements — from the crime plot and the relationships among residents to Charles’s quest for personal rediscovery— but it ultimately struggles with coherence. The interplay between these storylines lacks depth and fails to deliver a satisfying viewing experience, leaving audiences wanting more.
Despite its shortcomings, “A Man on the Inside” does contain moments of genuine poignancy, particularly in scenes that explore companionship and the joy of living, reminiscent of Schur’s earlier work. As Hollywood increasingly recognizes the importance of capturing the stories of older individuals, there is hope that future collaborations will delve deeper into these themes, offering richer narratives.
Although “Inside” misses the mark, it hints at potential that could be fully realized in future projects by Danson and Schur, reminding viewers to stay optimistic for their next endeavor together.