Alfonso Cuarón has a unique ability to use the ocean as a metaphor for deep emotions, evident in his previous works such as “Children of Men,” “Gravity,” and “Roma.” His latest project, “Disclaimer,” now streaming on Apple TV+, aligns with this thematic element, focusing on a tragic drowning incident on an Italian beach while incorporating numerous scenes highlighting the sound and rhythm of waves.
However, Cuarón’s style may not seamlessly cater to the narrative style of “Disclaimer,” which he adapted from Renée Knight’s 2015 novel. The series primarily revolves around complex interpersonal dynamics related to grief and deception, diverging from Cuarón’s usual grand, intimate storytelling style. The show’s transition from book to screen reveals challenges typical of adaptations, including excessive narration and inconsistent pacing that can undermine the storytelling.
Cate Blanchett stars as Catherine Ravenscroft, a renowned documentarian who faces the resurfacing of a troubling incident from her past after receiving “The Perfect Stranger,” a novel that suggests her privileged life may be founded on deception. The book’s author, Stephen Brigstocke, portrayed by Kevin Kline, seeks revenge after experiencing personal losses and wrongly blames Catherine for his son’s tragic death in Italy.
The visual portrayal of the narrative is marked by a golden-hour glow from cinematographer Emmanuel Lubezki, creating a contrast between the past and present that enriches the story. The present-day drama unfolds with Stephen using unsettling tactics against Catherine, introducing layers of tension that are not fully realized as the plot progresses.
While Blanchett delivers a commendable performance, her character’s trajectory resembles previous roles that she has excelled in, diluting the impact of her portrayal as she confronts societal judgment. Cuarón’s choice to incorporate extensive narration diverts from character development and fails to generate suspense, leaving Catherine’s revelations feeling anticlimactic.
Despite the series’ attempt at nuanced commentary on women’s perspectives, it falters in delivering effective feminist discourse. The narrative struggles with disbelief and an inability to coherently support its themes, ultimately leading to a disconnect between the characters’ actions and the underlying issues they highlight.
The first two episodes of “Disclaimer” are currently available on Apple TV+, with new episodes slated to be released weekly.