The new Prime Video series “Cross,” featuring the character Alex Cross, attempts to present a fresh take on the crime fiction figure popularized by James Patterson’s novels. Played by Aldis Hodge, Cross is portrayed as a sharp, insightful Black detective who skillfully navigates complex social dynamics and uses his psychological expertise to tackle crime.
In the opening scenes, the narrative emphasizes Cross’ ability to exploit societal assumptions about race during interrogations, showcasing his psychological acumen. However, the creative execution falters as the plot becomes convoluted, resulting in disappointing resolutions and dialogue that undermines the story’s potential.
Hodge, known for his role in “Black Adam,” brings a physical presence to the role, embodying a more rugged version of Cross compared to previous portrayals by Tyler Perry and Morgan Freeman. The show seeks to capture the rich tapestry of Black culture, illustrating Cross’ interactions across various societal spheres in Washington, D.C. He investigates the suspicious death of a young Black activist, blending drama with poignant commentary on the relationship between law enforcement and the Black community.
Despite the strong character development and the chemistry between Hodge and his partner, Isaiah Mustafa—who plays John—the series struggles with a meandering plot centered on a serial killer that fails to resonate. This narrative weakness is particularly disheartening given the series’ potential to tackle significant themes, such as the complex dilemmas faced by Black police officers today.
Moreover, the series touches on a critical theme of trust between the police and the communities they serve, especially as Cross faces skepticism about his intentions. However, the script does not fully explore the motivations behind his commitment to law enforcement amid growing concerns about police brutality.
While the initial premise presents an opportunity for exploration and character depth, the series ultimately falls short due to disjointed writing and plot development. Fans of the Alex Cross series may find this adaptation lacking in the compelling storytelling that made the character so captivating in the first place.
Overall, although “Cross” has much promise and features strong performances, it serves as a reminder of the challenges in translating rich literary characters to screen effectively. With a few adjustments in writing, deeper exploration of character motivations, and a more coherent plot, future seasons could potentially deliver a more satisfying viewing experience.
This adaptation could pave the way for more nuanced portrayals in crime dramas, reflecting the realities of modern-day policing and better engaging with contemporary social issues.