In a thrilling revival of the beloved musical “Chess,” the dynamic duo of Tony-winning director Michael Mayer and Emmy-winning writer Danny Strong has brought an exhilarating new energy to the production, now playing on Broadway at the Imperial Theatre. This marks the first-ever Broadway revival of a show that has experienced a tumultuous journey since its inception in 1984.
Originally launched as a concept album featuring the hit song “One Night in Bangkok,” the musical has had its ups and downs. While the West End production enjoyed a successful three-year run, the reworked Broadway version in 1988 faltered, closing after just two months. The show has since remained a coveted yet elusive title for many theater companies and creatives.
With this revival, Mayer and Strong shine a light on the score, widely recognized as “Chess’s” greatest asset. Leading the cast are Nicholas Christopher as the Russian chess champion Anatoly Sergievsky, Aaron Tveit as the ambitious American Freddie Trumper, and Lea Michele as the talented strategist Florence Vassy. Each performer delivers standout performances that elevate the music’s impact, particularly Christopher’s powerful rendition of “Anthem” and Tveit’s electrifying take on “Pity the Child.” Michele also offers a captivating performance of “Nobody’s Side,” showcasing Tim Rice’s evocative lyrics.
The narrative benefits from Strong’s metadrama approach, including the expansion of the Arbiter, portrayed by Bryce Pinkham. As a lively narrator, the Arbiter engages the audience with witty commentary that highlights the absurdities of a chess match set against the dramatic backdrop of Cold War political tensions. Some humor, however, plays awkwardly, particularly certain modern references that do not resonate well within the show’s historical context.
A unique aspect of this production is how it visually represents chess through its characters. The tension between Freddie and Anatoly is illustrated not through actual games but through their interactions as they navigate the complexities of love and rivalry, with political operatives pulling the strings behind the scenes. The ensemble’s choreography by Lorin Latarro, paired with Kevin Adams’ stunning lighting design, contributes to a visually striking experience that tells its own story.
Despite its many artistic successes, “Chess” does grapple with some challenges, particularly when it comes to the show’s emotional climax. The song “Someone Else’s Story,” performed by Michele, has faced placement issues throughout its history, an element worth addressing in this revival. Nonetheless, Michele’s performance is stellar, although at times it is overshadowed by the orchestra’s overpowering sound.
Reflecting on the flaws that remain in “Chess” brings to mind the Japanese art of kintsugi, which celebrates imperfections by mending broken pieces with gold. As this production navigates its historical baggage and complicated legacy, it boldly embraces its imperfections, presenting a vibrant tapestry of music and emotion that resonates with audiences today.
“Chess” opened on November 16, 2025, and promises to be a memorable theatrical journey that celebrates both its challenges and triumphs, inviting audiences to reflect on the intersection of love, politics, and ambition. For further details and ticket purchases, visit chessbroadway.com.