Cher recently opened up about her experiences in the film industry during an interview with The Times, promoting her new memoir, “Cher: The Memoir Part 1.” The legendary singer and actress reflected on her career, specifically discussing her relationships with directors, revealing that there were only two she did not particularly enjoy working with: Peter Bogdanovich and Frank Oz.
Cher collaborated with Bogdanovich on the 1985 film “Mask,” which earned her an Oscar for Best Actress at the Cannes Film Festival. In her recollections, she described Bogdanovich as challenging, stating, “He was an asshole. He was not nice to the girls in the film and he was so fucking arrogant.” She recounted an incident where he undermined her suggestions during filming, insisting he could easily replace her.
Regarding Frank Oz, who directed her in the 1990 film “Mermaids,” Cher recalled a contentious relationship that led her to call for his dismissal. She stated, “I actually got the guy from ‘The Muppets’ fired.” Cher explained that, despite acknowledging Oz’s talent as a director, their dynamic made it difficult for her to work effectively on the film.
Cher also expressed confidence in her collaborative spirit, emphasizing her willingness to listen and adapt to her directors, mentioning her successful partnerships with esteemed filmmakers like Robert Altman and Mike Nichols. She asserted, “Ask everybody: I’m really easy to work with.”
Her memoir is now available for fans and readers looking to delve deeper into her remarkable journey in the entertainment industry.
Cher’s candid reflections on her challenging experiences highlight the complexities of collaboration in filmmaking. Her ability to navigate these difficult relationships while maintaining respect for her craft serves as an inspiration for both aspiring actors and established professionals.
Summary: Cher candidly recalls her experiences working with directors Peter Bogdanovich and Frank Oz while promoting her memoir. She shares details of difficult interactions and her assertive approach to collaboration, emphasizing her overall positive relationships with successful directors. The memoir offers an insightful look into her life and career.