Local post-hardcore band Cher Khan made their live debut at Paxton Studios over the weekend, nearly six months after the release of their first single. Anticipation was high, and the band did not disappoint, delivering an energetic performance that rivaled their recorded material. The show was enhanced by the dynamic opening set from Fight the Future, solidifying the night as a memorable one for local music enthusiasts.
Fight the Future ignited the evening with their anthem “Gaslight,” a powerful declaration of personal truth. The band’s lead singer, Kelly Green, captivated the audience with her dynamic stage presence, energetically moving around while the rest of the band passionately played their instruments on the studio’s plush rugs.
Green engaged with the audience, balancing a fierce message against patriarchy and discrimination with warmth and connection. Their 30-minute set was filled with fan favorites, including “Erica,” leaving the crowd energized and ready for Cher Khan’s turn on stage.
The unique Paxton Studios venue, formerly a warehouse, added character to the event. Converted by John Clarence, the space blends music creation with his passion for crafting knives. The industrial atmosphere, complete with hanging power tools and covered machinery, created a distinctive backdrop, amplifying the hardcore experience for attendees.
After a brief sound check, Cher Khan launched into “Cycloptic,” showcasing guitarist Aria Newberry’s impressive solo work. Newberry’s distinctive two-tone hair and electrifying performance style heightened the audience’s excitement as the band powered through their EP, including a striking cover of Superheaven’s “Knew” and two unreleased tracks.
Singer Syd Hale’s presence contrasted with Green’s exuberance; she stood firmly at the microphone exuding strength and vulnerability. Hale delivered intense vocals, drawing the crowd into the emotional depths of the band’s music. Despite the heavy themes, the camaraderie among band members was evident, as they exchanged supportive glances and playful interactions.
The performance was a whirlwind, especially as Newberry, Rhoades, and bassist Wesley Manalo engaged the crowd with high-energy movements, complemented by drummer David Sedano’s powerful rhythm. The set concluded with a new song, “Shift Shape,” and as the audience erupted in applause, the intimacy of a small gathering was palpable, despite the absence of a mosh pit.
After the show, Hale and Newberry shared insights about their forthcoming album, titled “Bliss,” which is set for release in 2025. Enthusiastic about the future of the band, both expressed eagerness to see where their musical journey takes them next.