“Blue Moon,” directed by Richard Linklater, captivates with its simplicity, transforming its modest setting – Sardi’s restaurant – into a vital character. The focus is squarely on the dynamics between its characters, primarily navigated through a compelling performance by Ethan Hawke.
Set in March 1943, the storyline unfolds with songwriter Lorenz Hart, played by Hawke, stepping into Sardi’s after attending the Broadway premiere of “Oklahoma!”. This premiere marked the first time Hart’s longtime collaboration with Richard Rodgers was set aside in favor of Rodgers’ new partnership with Oscar Hammerstein II. Despite their shared history of success, Hart feels overshadowed by this new venture, and though he tries to mask his emotions, his sense of betrayal comes across palpably.
Hawke’s portrayal makes Hart charming but visibly struggling. His lively character is stark against the quieter, more grounded figures of the bartender Eddie and pianist Morty Rifkin. The script, penned by Robert Kaplow, gives Hart ample dialogue that reveals his facade of happiness breaking down, especially as he strays back to drinking despite his pledges to stay sober.
Joining the interaction is author E.B. White, who’s drawn into Hart’s world with a smile of reluctant amusement. The narrative builds a sense of elusive depth, as the film takes its time unveiling details about Elizabeth, a young woman Hart talks about. As viewers, we’re made to question her reality until she finally appears.
The atmosphere shifts once audience members from “Oklahoma!” filter in, creating a tension-filled environment that underscores Hart’s diminished standing despite his career accomplishments. Hawke’s performance is underscored by both vulnerability and sincerity, demonstrating his ability to transform completely into Hart’s character, aided by cinematic techniques.
The film cleverly weaves moments of humor, often at “Oklahoma!”‘s expense, into its poignant narrative. Such moments are crafted expertly through dialogue, leaving a lasting impression. The direction could succumb to sentimentality, but Hawke’s compelling portrayal ensures a balanced blend.
The performances of Margaret Qualley and Andrew Scott enrich the story further. Qualley’s Elizabeth dashes Hart’s romantic aspirations gently yet decisively, and Scott as Rodgers conveys the lingering tension between the past collaborators.
“Blue Moon” is a complex tale of dreams and reality, of hope intertwined with futility. Hawke’s performance can only reinforce speculation about him possibly winning an Oscar.