The film directed by Edward Berger features English actor Ralph Fiennes portraying Cardinal Thomas Lawrence, the dean of the College of Cardinals, tasked with navigating the complex politics of a papal conclave. As the steward appointed by the pope, Lawrence faces challenges from argumentative clerics, the unveiling of scandalous dossiers that target favorite candidates, and the introduction of an unexpected contender from a lesser-known diocese.
Interestingly, the film has been recognized for its accuracy, resonating even with actual cardinals. It serves as a valuable research tool at a time when many of the participants in the upcoming conclave lack experience in Vatican politics and protocol. This is particularly relevant as a significant number of the cardinals arriving in Rome after the death of Pope Francis were appointed by him and have never before engaged in a conclave.
The film was released just four months before Pope Francis’ passing on April 21, striking a chord with many viewers keen to learn about the intricacies of the papal election process and the behind-the-scenes drama that often accompanies it. As the pre-conclave activities unfold, they have created a flurry of scandal that mirrors the fictitious narrative of the film.
Reports have indicated that seasoned Vatican insiders have been leaking information to Italian media, causing a stir among potential candidates. Additionally, abuse allegations against several leading figures have emerged, and a cardinal involved in significant financial misconduct was controversially barred from participation following the revelation of a dramatic posthumous letter from the late pope.
This connection between the film’s storyline and the current events in the Vatican underscores the captivating nature of the conclave, which continues to attract public interest against a backdrop of political maneuvering and moral scrutiny. Such scenarios remind us that while the circumstances can be fraught with intrigue, they also highlight the evolving nature of leadership within the Church.
Comment: This exploration of the interplay between the film and the real-world developments in the Vatican illustrates how art can reflect and even influence contemporary issues. The ongoing interest in the conclave suggests a hunger for transparency and integrity in leadership, resonating with broader calls for reform within institutions.