The Britannica Encyclopedia defines Attila as “one of the greatest barbarian leaders who challenged the Roman Empire,” noted for his notorious reign of devastation that left desolation in his wake. This powerful figure has inspired numerous artists, including Giuseppe Verdi, who depicted him as the protagonist in his opera ‘Attila’, which is set to be presented in concert version by Teatro Real on May 14 and 17, under the direction of renowned conductor Nicola Luisotti. The production boasts a stellar cast, including Christian Van Horn as Attila, Sondra Radvanovsky as Odabella, and others, supported by the Teatro Real’s Orchestra and Choir, the latter being particularly pivotal for this title.
‘Attila’ premiered on March 17, 1846, at Teatro La Fenice in Venice, during what Verdi referred to as his “galley years,” a prolific period from 1842 to 1850 when he composed eleven operas. Notably, Verdi collaborated with librettist Temístocle Solera on several of these works. Solera, who had a colorful and adventurous life, played a significant role in bringing ‘Attila’ to life, despite facing challenges with the text and later revisions from Francesco Maria Piave.
Luisotti passionately emphasizes that ‘Attila’ is one of Verdi’s most energetic compositions, known for its numerous “cabalettas”—rapid and virtuosic pieces that enhance the opera’s vitality. This energy resonates strongly throughout the performance, stimulating robust audience engagement.
The opera narrates a dramatic struggle between Romans, led by Odabella, Foresto, and Ezio, and the invading Huns under Attila’s command. Luisotti draws a parallel between the tyrannical nature of Attila and modern-day leaders, suggesting that themes of power abuse and cultural destruction remain relevant today. He highlights the importance of remaining vigilant in the face of contemporary challenges.
Furthermore, the chorus plays an essential role in ‘Attila’, symbolizing the people’s fight for freedom against tyranny, with Verdi masterfully balancing the chaotic energy of the chorus with the elegance of bel canto, a legacy he inherited from earlier composers like Donizetti and Bellini.
This performance, dedicated to the memory of the esteemed Galician soprano Ángeles Gulín, promises to be a significant cultural event that not only honors a classic composition but also prompts reflection on the enduring nature of oppression and community resilience through art. It serves as a reminder that even historical narratives can inspire hope and a call to action against tyranny today.