Anna Kendrick’s directorial debut, “Woman of the Hour,” takes an unexpected turn as it delves into the grim world of serial killers. Known for her roles in comedies and musicals, Kendrick not only directs but also stars as aspiring actress Cheryl Bradshaw, a Columbia University graduate struggling to find her footing in Hollywood in 1978. Despite her hard work and dedication, Cheryl faces rejection from casting directors who prioritize her appearance over her talent. This leads her to reluctantly agree to appear on the television show “The Dating Game” as a means of gaining visibility.
Complicating Cheryl’s story is the presence of Rodney Alcala, portrayed by Daniel Zovatto, who is introduced in the film’s opening scene as a young woman’s killer. Alcala, a real-life serial killer and rapist, infamously appeared on “The Dating Game” during his criminal career, which spanned over a decade across New York and California. The film intertwines Cheryl’s experience on the show with glimpses of Alcala’s horrific crimes, painting a chilling picture of the dangers that lurked behind the facade of charm and charisma.
Kendrick skillfully portrays these scenes without resorting to cheap thrills, focusing instead on a tone of sadness. The narrative structure reflects the repetitive nature of Alcala’s life, demonstrating how he evaded justice despite numerous warning signs and run-ins with law enforcement. Zovatto’s Alcala is portrayed as deceptively charming and articulate, making the viewer question the nature of his character beyond the surface.
Despite its intriguing premise, “Woman of the Hour” struggles to maintain a compelling narrative flow. The focus on “The Dating Game” as a framing device can lead to a predictable story arc, making it easy for viewers to anticipate key plot points, even if they are unfamiliar with the real-life events. Additionally, the film’s circular structure leaves viewers with limited insight into both Alcala’s character and Cheryl’s own story.
Overall, while “Woman of the Hour” features well-crafted scenes that underscore the dangers women face, it ultimately feels somewhat restrained. The film presents a polished exploration of the subject matter but may lack the depth and cohesion needed to fully engage its audience amidst a landscape saturated with true crime narratives.